How to be Single

GoMovieReviews Rating:
How to be SingleDirected by: Christian Ditter.

Screenplay: Abby Kohn, Marc Silverstein and Dana Fox.

Story by: Abby Kohn, Marc Silverstein.

Based on: ‘How to be Single’, by Liz Tuccillo.

Starring: Dakota Johnson, Rebel Wilson, Alison Brie and Leslie Mann.

Bloody romantic comedies! Always making me cry. If only the characters weren’t so adorable…

Alice (Dakota Johnson) has never been single. She moved from her parent’s house, to a dorm, then in with her boyfriend. She wants to live the single life, to get out there and do all the things she says she wants to do but never does. So, Alice moves to New York where she meets Robin (Rebel Wilson), and that’s where all the fun begins. And the tears.

There’s the classic: ‘can’t get enough’ girl and the classic boy who sleeps with everyone; the older sister, and the one looking for true love.  Which all equals lots of drinking and yes, some laughs. There’s a formula and it’s put in place because it works.

Rebel Wilson adds a different comic dimension with her particular brand. Rebel plays a certain character: the ditzy, oversexed, drunken single girl who’s all heart. And I don’t mind that she’s type-cast because I haven’t gotten sick of her yet.

The older sister, Meg (Alison Brie), was a bit sweet for me, but I guess that’s just the big sister character. And maybe I liked her the least because Meg made me cry the most.

Look, I don’t usually like romantic comedies, the way these formulaic movies manipulate a girl’s emotions. But, How to be Single was one of the better ones. Not too cheesy, and there was a genuine understanding of some of the choices women have to make: weighing up the opportunities gained by being in a relationship and the opportunities that are lost.

Really, nothing new here but a good film to watch with the girlfriends for International Women’s Day. Just take some tissues, and make sure to have a glass to celebrate no matter what your status. You’re where you’re meant to be.

Can you tell I’ve just watched a Rom Com?!


Pride and Prejudice and Zombies

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Pride and Prejudice and ZombiesScreenplay and Directed by: Burr Steers

Based on: Pride and Prejudice and Zombies by, Jane Austin and Seth Grahame- Smith

Starring: Lily James, Sam Riley, Jack Huston, Bella Heathcote Douglas Booth, Matt Smith, Charles Dance; Lena Headey.

Not just another Zombie movie.

With lacy knickers and knives sheathed in garters, I really thought I was in for some trash with this one. But I have to say, I was pleasantly surprised.

Without being overdone, Pride and Prejudice and Zombies is funny for the right reasons: a playful parody that manages to portray a successful story-line about the undead (AKA zombies) running rampart in 19th century England.

Based on Seth Grahame-Smith’s novel (Pride and Prejudice and Zombies), the undead have infected the population and the ladies have been taught martial arts and weaponry in order to save themselves from joining their ranks. This is where period costuming meets martial arts.

With the focus on the Bennets’ daughters, the mother (Sandy Phillips) is determined to marry her daughters off to the richest men available.

There’s dancing at balls and wine being drunk; eye patches (for function not fashion), and all the skullduggery of finding love. But the story went further than the visual sensors and added a few more layers to the characters, and more meat (ha, ha) to the story. This was more about the Jane Austin 19th century sensibilities than the gore of yet another mindless Zombie movie. And this made for a better story-line.

There is much wit and humour sprinkled with occasional change in camera view: a hand reaching for a strangle hold or the rotting flesh of a zombie’s face.

The acting and dialogue was yes, once again, surprisingly good. The budding romance between Mr Darcy (Sam Riley) and Elizabeth Bennet (Lily James) was believable and rather sweet.

What I liked most about the film was the humour from Mr Collins (Matt Smith), making the most of the parody of English dignified politeness amongst the chaos of the walking dead, liable to walk in any moment, ‘But pass the scones’, in the mean-time, ‘With a nice cup of tea’.

Being such a silly convention, I don’t think anyone is expecting a life-altering experience here, but there’s some quality work and thought put into the story and the telling of the story: the soundtrack (Fernando Valázquez) adding to the cheek; the camera work (Remi Adefarasin) adding a new perspective.  And I was happy to be in the audience to enjoy the success.



GoMovieReviews Rating:
deadpoolDirected by: Tim Miller

Written by: Rhett Reese; Paul Wernick

Based on Deadpool by Fabian Nicieza and Rob Liefeld

Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, T. J Miller, Gina Carano, Brianna Hildebrand, Stefan Kapičić

With the writer’s being the real hero’s, crutch shots, butt shots and all manner of side remarks, including the mention of Wolverine’s balls from Down Under – yes, I didn’t mind this self-deprecating humour of Deadpool.

First appearing in the Marvel Comic, ‘The New Mutants (#98)’, the history of Deadpool and the X-Men is quickly glossed over in the film, with Deadpool himself mentioning the producer only forking out for two X-Men characters. See here for an article regarding Deadpool’s origins…

The story-line of Deadpool, the movie, is based on Wade (Ryan Reynolds) becoming Deadpool, and his revenge in being made into a monster, and a very unattractive one at that. Rather than living the torturous life of a human mutant slave, Deadpool gets his kill-count up in search for Ajax, AKA Francis (Ed Skrein, yep, the actor who played Daario Naharis in Game of Thrones), who took him away from his lady love, Vanessa (Morena Baccarin). Well, he kinda took himself away but didn’t realise what he was getting himself into.

Don’t expect a PG-type comic movie here. I was a bit surprised by the violence. But the fast-paced action and many bullets to the head, cutting off of hands, broken ankles and general blood spatter helped balance the constant commentary from Deadpool. A little too much, for my taste and as stated by Ajax, certainly ‘a talker’.

A lot of the film was very funny and in addition to creative camera work (Ken Seng as cinematographer), and attention to detail by director, Tim Miller, there’s another dimension to the story: the writer’s using meta fiction where the character is aware that he’s, well, in a story. Deadpool talks to the camera and therefore the audience – breaking the ‘Fourth Wall’. And this gives the film an extra layer and point of difference, allowing a different style of humour into the film.

There was a lot going on and I admit that I missed some of the quips. People have said they’ve gone to watch Deadpool a second time and have picked up more of the jokes. Not that I’d go and watch a second time. As I said, this Deadpool guy talks A LOT.

I have to say, yes it was funny and yes I was entertained, but I would have liked a little more darkness from Deadpool, rather than always the ever flippant. Perhaps I’m showing my age, but the original comic character had more depth and I would have liked to have seen a bit more of this darkness translated to the screen.