Annabelle: Creation

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Rated: MA 15+Annabelle: Creation

Director: David F. Sandberg

Produced by: Peter Safran, James Wan

Screenplay: Gary Dauberman

Starring: Stephanie Sigman, Talitha Bateman, Lulu Wilson, Philippa Coulthard, Grace Fulton, Lou Lou Safran, Samara Lee, Tayler Buck, Anthony LaPaglia and Miranda Otto.

Coming out of the cinema whistling, You are my Sunshine, after watching a horror movie may sound sinister, but there was a tongue-in-cheek, wry streak to, Annabelle: Creation.

Set in what looks like the 1930s, Samuel Mullins, a dollmaker (Anthony LaPaglia) and his wife, Esther (Miranda Otto) live an idyllic life in the countryside with their daughter Bee (Samara Lee), short for Annabelle.

Then tragedy strikes and Bee is taken from them.

Years later, time has taken its toll on the dollmaker and his wife, but they decide to make their home into an orphanage where several young girls and Sister Charlotte (Stephanie Sigman) come to live with them, to bring some happiness back into the household.

It only takes one night for the daemonic Being inhabiting a life-sized doll to make its presence known.  And slowly, the creation of Annabelle, the possessed, is revealed.

Annabelle: Creation

Producers, Peter Safran and James Wan, who brought, The Conjuring series have partnered up once again for, Annabelle: Creation.

Directing is David F. Sandberg (Lights Out (2016)) from a screenplay written by Gary Dauberman who also wrote the first, Annabelle.

Happily, for fans of, The Conjuring, there are threads tying pieces of the films together and the linking of, Creation to the original, Annabelle is seamless.

New to the franchise is the cast with, Anthony LaPaglia as the foreboding husband and, Miranda Otto as the wife.

I can’t decide whether I like Lulu Wilson as Linda who also had a starring role in the recent, Ouija: Origin of Evil (2016).  I liked her better here, with  direction highlighting her, too-good-it’s-creepy personality adding to that wry flavour.

There’s a fine line between comedy and horror.  You don’t want the audience laughing at the movie, you want the audience to laugh with the movie and at some points of the film, particularly with Linda on scene, it was a close call.Annabelle: Creation

But as the film progressed and the ramping of tension increased with Sandberg once again making use of light and darkness and classic devices such as super-freaky scarecrows and sheets over the, ‘not there’, I was happy for a bit of comic relief from young Linda.

But I have to admit I wanted the film to be scarier.

I felt there was a lighter touch here, compared to say, the recent, The Conjuring 2 (2016) (which I gave 4.5/5) as there wasn’t enough reason for the daemonic Being inhabiting the doll to attack some and not others.

Strengthening the backstory would have added so much more.

Sure, keep the mystery but showing more would have added to the fear – it can’t be just because one person is more physically weak than the others, right?

Not the super-scare factor I was hoping for, but there were a few jumps and tense moments with effective use of the soundtrack; and linking to the original, Annabelle and, The Conjuring series will satisfy fans.

The Conjuring 2

GoMovieReviews Rating:

Directed by: James WanThe Conjuring 2

Writers of Screenplay: Carey Hayes, Chad Hayes, James Wan and David Leslie Johnson

Starring: Patrick Wilson, Vera Farmiga, Francis O’Connor, Madison Wolfe, Simon McBurney and Franka Potente.

Similar to the original (The Conjuring (2013)), Paranormal Investigators, Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren reflect on a past case (those of you familiar with The Amityville Horror (2005) will understand the need to reflect) and worry about their future in a world that’s quite literally hell on earth.

With a call from the Catholic Church to investigate a haunting of the Hodgson Family in Enfield England, Lorrain’s premonition of Ed’s death could put her fear of the future firmly in the present reality.

Director James Wan (also director of the original ‘Conjuring’ and a favourite of mine, Insidious (2010)) uses a vision filled with archetypes to bring demons to life.  Bringing old fears into a new world by combining a great narrative with a perfectly matched soundtrack (Joseph Bishara) to keep the audience on the edge of their seat; keeping the story and characters held in suspense and letting beings not of this world to enter.

There’s a flavour to the Wan films – a true talent who creates horror without gore.

The story taps into a deep-seated fear of archaic evil our grandparents were scarred of and their grandparents before them.  This is biblical.  To the extent that 20% of the audience left a quarter of the way through the movie because they were too scared (I’m not kidding!).  So be warned, this is a pretty scary movie – but seriously people, if you’re scared you always have to watch to the end, otherwise you’re just left hanging…  Anyway…

Joseph Bishara was also the composer of the film Insidious, the success of both The Conjuring 2 and Insidious lying largely with the suspense created by the creepy soundtrack.

Wan is genius in his use of not only the soundtrack, but also the trickery of shadows, slips in time, old toys; a focus on the eyes or a terrifying portrait brought to life.  Seemingly simple devises, but used so well.

And the two characters that make the couple, The Warrens, are likeable.  The audience is with them, all the way, all through the terrors.

There’s a journey here.  An invitation to take hold of a hand  – a, Gotcha, then I’ll let you go a bit… then, I gotcha againThis time, I gotcha good.

James Wan is creating his own brand of horror thriller, and I’m very much enjoying the show.

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