The Party

GoMovieReviews Rating:

Rated: MA15+The Party

Written and Directed by: Sally Potter

Produced by: Christopher Sheppard, Kurban Kassam

Cinematographer: Alexey Rodionov

Starring: Patricia Clarkson, Bruno Ganz, Cherry Jones, Emily Mortimer, Cillian Murphy, Kristin Scott Thomas and Timothy Spall.

The Party is a film filled with cynical wit as newly appointed Shadow Minister of Health, Janet (Kristin Scott Thomas) celebrates her new post by hosting a party.

Bill (Timothy Spall), husband and long-time supporter sits in a daze with a glass in hand as each guest arrives: best friend April (Patricia Clarkson) and her New Age partner, Gottfried (Bruno Ganz), lesbian couple Martha (Cherry Jones) and Jinny (Emily Mortimer), newly pregnant, and the handsome financier, Tom (Cillian Murphy) – all sitting on their own agenda as a constant barrage of political and social standpoints are thrown around the room building to their very own announcements.

A film of contrasts, and not just because the entirety is shot in black and white, but because of the contrast of ideals and personalities.  Even the music played on the turntable by Bill is a bizarre backdrop and soundtrack to the emotive tension in the lounge room; tragedy and trauma played out to the rumba and reggae creating the ridiculous and send-up to all the seriousness discussed from life expectancy related to economics and class rather than diet and exercise – a statistic Janet and husband Bill have always agreed upon – to the question of life after death.

The setting of the film is the house of Janet and Bill – there’s no hiding as each character is forced to face the crisis looming in each relationship: the dying academic, the cheating wife; each person intellectualising their emotion into a rational argument all to the sound of Bill’s insistence of playing record after record, his need for music a compulsion to express.

This is a film driven by dialogue, and the set was created and shot on stage like a play where each character slowly unravels as each reveals the next revelation – the story’s interest in the layers of rationale used as self-protection being pealed away to show the raw human hiding underneath; argument and ideals and political stances made as an adult only to show the child still hiding underneath.  Except for April.  Now a cynic.  Janet asks her best friend, ‘Have I been emotionally unavailable?’

Of which April replies, ‘It’s not a productive line of thought’.

There are so many subtle moments that got me giggling.  Small details like Bill sitting confused, a glass of red in one hand and the celebratory glass of champagne in the other.

It’s sad, it’s tragic.  And the understanding of what we cling to, to keep our ego’s intact, is examined and oh so very funny.

Writer and director Sally Potter (Orlando (1992)), states she wrote the script with an awareness of the absurdity of human suffering; the highlight for me April as she cuts through any emotion with her scathing, but not to be taken personally, remarks aimed at revealing the true and rational perspective with her unblinking eye, ‘You’re a first-rate lesbian and a second-rate thinker.’

To which Martha, Professor of Women’s Studies replies ‘April, Really.  I am a professor. Specializing in domestic labour gender differentiation in American utopianism.’

‘Exactly,’ says April.

Left with nothing unnecessary for the story to come full-circle in 71 minutes, The Party is a clever film that takes you into the claustrophobic world of relationships in crisis viewed through the lens of a political satire; the most selfless of the group the coke snorting soulless financier, Tom – now that’s cynical.

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Tomb Raider

GoMovieReviews Rating:

Rated: MTombraider

Directed by:  Roar Uthaug

Produced by:   Graham King

Story by:      Evan Daugherty

Written by:   Geneva Robertson-Dworet, Alastair Siddons

Costume Designer:    Colleen Atwood, Timothy A. Wonsik

Starring: Alicia Vikander, Dominic West, Kristin Scott Thomas, Daniel Wu.

The high voltage, energy tone of this movie is reimagined, tight, exhilarating and relatable.

Strange Days, Tomb Raider starring Alicia Vikander as Lara Croft opens with a hipster living, street smart, 21-year-old, bike courier.

Lara is a gutsy, vulnerable lead female action hero who delivers food and races the trendy high-octane streets of East London, kick boxing in her spare time and barely able to afford the rent.

This Lara lives in a tiny flat, stubbornly refusing the extraordinary wealth of her Croft inheritance with its English Manor and millions and millions of pounds.

But her fierce independence is just a mask, a mask to hide her vulnerability and pain. For to accept her inheritance, she would have to accept the death of her father, Richard (played by Dominic West), an eccentric global adventurer, who disappeared several years earlier.

The plot takes a fantastic turn when Lara is handed a puzzle box, just as she is poised to sign documents – under the watchful mother-hen one eye gaze of her Aunt Ana (played by Kristin Scott Thomas)- and acknowledge the official end of her father’s life.

Lara’s hands intuitively click open the puzzle, revealing a clue to her father’s fate – she is after all a Croft – and plummeting with her we dive into the unknown of an epic adventure to a fabled unchartered island, somewhere off the coast of Japan. On this island, a mythical 2000-year-old tomb, enshrouds a demonic Queen and a curse that will somehow wipe out mankind. A curse nobody wants to be near, but just like Pandora’s box, the curse is a rare commodity and is super attractive to those who wish to weaponize it.

Right from the start, the action is relentless and exhilarating.

In one of my favourite scenes, a hipster cycling pack – contemporary and diverse – there are no monochromatic, fluoro adverse sensible-lycra-clad-boys-club here – you swerve and fend from your seat, as the pack hunts its prey, upending the café strewn streets of East London. The thrill of the chase is urban, raw and real. I loved it.

The globe-trotting scenes are exotic and taut with tension. From London, to Junket leaping in Hong Kong, to an Island – somewhere off the coast of Japan – resplendent with a mummy’s tomb and even a WWII bomber carcase perched life-threateningly over impossibly high waterfalls.

Since 1996, Lara Croft as a lead female action figure has dominated pop culture and yes, I would love, along with thousands of other pop culture fans, love my avatar to have her skill set and physicality.

This is a new Lara Croft and following on from the success of Angelina Jolie as Lara, Alicia successfully claims her space, as Lara Croft, Tomb Raider.

Angeline Jolie as Lara has her Butler, her team, her robots to spar and train with and Croft Manor to train in. Angelina has been a Tomb Raider for a while and knows what to expect in a crypt or tomb.

Alicia as Lara is a mere fledgling, more ordinary person about to lead an extraordinary life – and so she captures us with her urban, girl-next-door accessibility, except for the fact that even when she’s smothered in pounds of 2000-year-old crypt dust she’s going to look like the statuesque kick ass action hero that she is.

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