Nat’s Top 10 Movies for 2017

It’s a personel moment when a film reaches into your mind to take you on a journey.  And I’m happy to say this is what the films below have given me over the past year.

Being an avid fan of the horror/thriller I was surprised when I realised  IT didn’t make it into my top 10 for 2017.  However, after a re-watch I found that, although a great coming-of-age film (still rating:★★★★), IT was more a monster movie than a thriller with Pennywise a little too animated for my taste.

So, brace yourself because it was more about the suspense and intellectual thrill that tickled the grey cells this year, with a bit of humour thrown in the mix.

10.

MOONLIGHT

Drama ★★★★☆ (4.2/5)

Moonlight is unique in that it’s both raw and subtle, creating something else, a feeling that stays with you that’s beautiful because it’s laid bare.  What a rarity and an experience you won’t soon forget.

9.

DUNKIRK

Action / Drama / History ★★★★☆ (4.2/5)

Nolan has used his talent to bring the true story of Dunkirk to the screen without over-dramatising, allowing us to admire the courage and valour of the civilians of Britain who saved more than 330, 000 soldiers’ lives.

Suspense like a ticking time-bomb.

8.

WIND RIVER

Crime/Mystery ★★★★☆ (4.2/5)

After writing the screenplay for the two highly regarded crime/thrillers, Sicario (2015) – which I gave a 5/5, and, Hell or High Water (2016), Taylor Sheridan has returned as writer and as director (debut) of the crime/mystery, Wind River: a tragedy based on actual events, beautifully told, where each moment, word and gesture show more than just the surface.

7.

GOOD TIME

Drama/Arthouse ★★★★☆ (4.2/5)

The Safdie brothers (Josh and Ben) return with their fifth feature film, building on their gonzo-style street films with Official Selection and winner of the Cannes Soundtrack Award, Good Time.

And I was hooked from the opening scene.

6.

PADDINGTON 2

Comedy for kids but made to be enjoyed by all: Hillarious! ★★★★☆ (4.2/5)

When any thought of reality is overwhelmed with wonder.

5.

BLADE RUNNER 2049

SciFi ★★★★☆ (4.3/5)

Atmospheric and quietly menacing.

And that’s the quality of the film, subtle: complicated emotions yet, made to feel simple.  A kind of gentle unfolding with an underlying darkness driving life into the shadows, but the shadows fighting back, like life…

Ah, don’t you love it when a movie makes you feel all moody when you leave the cinema!

4.

SUBURBICON

Comedy/Crime/Mystery ★★★★1/2

Deadpan delivery of the clever, the very dark and the very funny.

3.

STAR WARS: THE LAST JEDI

Fantasy/SciFi ★★★★1/2

Rian Johnson also wrote and directed, Looper (2012) and has brought that same attention to the script here, revealing layer upon layer of story to take the audience on a journey totally unexpected.

No other word to describe: Epic!

2.

Miss Sloane

Drama / Thriller ★★★★☆ (4.6/5)

This is a thoroughly absorbing film because its cleverness is combined with an undercurrent of emotion that’s felt without needing explanation. 

Classy and smart all the way – brilliant.

1.

MOUNTAIN

Documentary ★★★★★

Unbelievable as it may be, but a documentary tops my list of best films of 2017: I felt like my soul was being fed by this symphony of poetry, imagery and sound.

A combination of sound and stomach clenching cinematography creates a thrill as people fly down slopes or jump into the air 1000s of feet above the earth, death defying leaps, where there really must be an element of insanity, to even think, yet, it’s not about thinking, it’s about feeling alive.

Enjoy!

Suburbicon

GoMovieReviews Rating:
SuburbiconRated: MA 15+

Directed by: George Clooney

Written by: Joel & Ethan Coen, George Clooney and Grant Heslov

Produced by: George Clooney and Gran Heslov

Starring: Matt Damon, Julianne Moore, Noah Jupe, Oscar Isaac.

Director George Clooney has collaborated with the Coen brothers (No Country For Old Men) to package together one dark, tasty treat.

This is a story that could only be set in the 50s.  A setting I initially found off-putting, the feeling the formula of 50s dark comedy already been done.  But I was pleasantly surprised by the clever script and how the 50s attitude was used to create a rising tension and  bigotry in the story.

Suburbicon explores the real America; back then, the racism and petty nature of society hiding behind perfect houses, set hair and freshly mown lawns.  The idea of a suburb is a new-found way of living – affordable post war housing built outside of the city where families can grow with kids hanging out with the neighbours and everyone’s safe and secure and the same.  Until the Mayers move in.

Based on the true events that unfolded in Levittown, Pennsylvania in 1957,  William and Daisy Meyers became the first African American family to move to the town, only to be subjected to 500 people yelling abuse on their front lawn, complete with the hanging of Confederate flags and a burning cross…Suburbicon

Suburbicon builds on the tension; cracks begin to form in the community, with well-mannered folk becoming increasingly agitated by the presence of the family.

And then, Gardner Lodge (Matt Damon) and his family, Rose (Julianne Moore), her twin sister Margaret (also Moore) and son Nicky (Noah Jupe) are tied up and robbed in their own home – something must be done.

The Lodges are a seemingly normal family with twin sister Margaret visiting often to help Rose who’s wheelchair bound after a vehicle accident.

And I use ‘seemingly’ as the story of the film is the depiction of the family unravelling as the robbers, Louis (Alex Hassell) and Sloan (Glenn Flesher) return to pressure Gardner causing the film to turn in sinister and completely unexpected ways.

This is a surprisingly violent film but made in such a way that the shock is funny.Suburbicon

It’s a dark film, that clever script and direction using that 50s flavour to show the violence like an old-school detective movie with images of shadows and jagged edges of broken glass instead of blood and guts.  The soundtrack also adds to that crime/detective flavour.

But there’s much more here than a cloak and dagger crime story.

The audience is shown life from the way the son, Nicky, sees the world.  Like the innocence of childhood is the only normality in the story.  And this is beautifully shown in the friendship between Nicky and the Mayers’ son, Andy (Tony Espinosa).

Add the well-balanced pacing where each twist and reveal is shown with dead pan delivery, I couldn’t help but appreciate the timing and cleverness of the story.