Shazam! Fury of the Gods

GoMovieReview Rating: ★★★1/2

Rated: MSHAZAM! FURY OF THE GODS

Directed by: David F. Sandberg

Written by: Henry Gayden, Chris Morgan

Shazam Created by: Bill Parker, C. C. Beck

Produced by: Peter Safran

Starring: Zachary Levi, Asher Angel, Lucy Liu, Helen Mirren, Rachel Zegler, Jack Dylan Grazer, Adam Brody, Ross Butler, Meagan Good, D. J. Cotrona, Grace Caroline Currey, Haithe Herman, Ian Chen, Jovan, Marta Milans, Cooper Andrews and Djimon Hounsou.

‘The most powerful thing about you, is you.’

Yes, there’s the expected underlying message that goes with any teen-starring superhero movie.

But there’s a balance in this sequel to Shazam!, released back in 2019 (see review here)

There’s the delightful humour of Zachary Levi returning as the superhero Shazam; his alter ego (or is it the other way around?), Billy Batson (Asher Angel) now turning 18, an older teen to his previous 14-year-old character, still revelling in his superhero’s man-body, his adoptive family, mum (Marta Milans) and dad (Cooper Andrews) blissfully oblivious to their adopted children’s superpowers:

Freddy (Jack Dylan Grazer) superhero Freddy (Adam Brody)

Eugene (Ian Chen) superhero Eugene (Ross Butler)

Mary and superhero (Grace Caroline Currey)

Pedro (Jovan Armand) superhero Pedro (D. J. Cotrona)

Darla (Faithe Herman) superhero Darla (Meagan Good).

The superhero powers don’t always go to plan though, hence being nicknamed by The Tribune – that no-one reads, it’s fake news! – the, Philly Fiascos.

There’s some genuinely funny moments here, with Shazam seeing a paediatrician, lying on a couch like he’s seeing a psychiatrist to unpack his issues – the doctor recommended by a friend, a youngish friend around Billy’s age because the doctor has dolls in the corner of his office.

Shazam has understandable issues.  He doesn’t think he deserves his powers because he’s been rejected A LOT: his parents, the foster homes.  Then of course The Tribune with front page, ‘Rejected by City.’

The main difference between the sequel to the original is the team aren’t kids anymore, so those jokes about the disparity of a child in a man’s body doesn’t have as much punch.   But seeing Shazam rapidly chewing a mint to seal the deal on his Wonder Woman crush… I found myself laughing out loud at Zachary Levi’s antics as Shazam once again.

Has to be noted that Billy the superhero was less mature than Billy Batson the teen turning 18.  But the idea of the school kids turning into fit superheros still worked and was a lot of fun.

And there’s blue fire-breathing dragons and the Staff of the Gods, the opening of the film above Athens.  Spartan’s appear: Hespera (Helen Mirren) and Kalypso (Lucy Liu).  Gods who have lost their power because of Shazam breaking the Staff in the previous film.

I like a bit of fantasy in a superhero movie.  And director David F. Sandberg has handled the balance of humour, fantasy and drama well.

The young Darla felt, well, a bit young, at times.  To appeal to a younger audience, no doubt.  I could hear the response in the audience to her doe-eyed antics.

Didn’t always hit for me.

But, ‘I’m an idiot,’ Shazam is just as funny as the first film, even as he fights his growing pains while forever wondering, what is my superhero name?

It drags a bit, getting to the growing up moment, but overall, I was Shazam! entertained by this sequel, Sandberg getting the timing of the jokes just right.

 

Ready Or Not

Rated: MA15+Ready Or Not

Directed by: Matt Bettinelli-Olpin and Tyler Gillett

Written by: Guy Busick & R. Christopher Murphy

Produced by: Tripp Vinson, James Vanderbilt, William Sherak and Bradley J. Fischer

Executive Producers: Chad Villella, Tara Farney, Tracey Nyberg and Daniel Bekerman

Starring: Samara Weaving, Adam Brody, Mark O’Brien, with Henry Czerny and Andie MacDowell.

The family known as Le Domas has been playing Le Bail’s Gambit since Great Grandfather Le Domas made a pact with Le Bail himself.

Marrying Alex (Mark O’Brien) and into the ‘dominion’ that is the Le Domas family (that fittingly made their fortune out of board games), the pact demands that initiate Grace (Samara Weaving) (and any new addition to the family) must play a game at midnight on the night of her wedding.

She loves Alex despite his weirdo, super-rich family.

So playing along with strange traditions to get along?  Pft!  Sure, why not?!

But when she draws that, ‘Hide and Seek’, card; and that playful, ‘Hide and Seek’ record starts spinning, the weirdo family hunting the new bride through the gothic rooms and corridors of the house, to capture her as a sacrifice, takes issues with the in-laws to a whole new level with each armed and at the, well, ready:

Mother to Alex and kinda sweet, Becky (Andie MacDowell): Bow & Arrow

Rich and crazy dad, Tony (Henry Czerny): Winchester Rifle

Tormented and alcoholic brother, Daniel (Adam Brody): Rifle

Ops, I did it again, sister-in-law, Emilie (Melanie Scrofano): Pistol

How does this work again? Fitch (Kristian Bruun): Crossbow

I was born evil, Charity – there’s the irony (Elyse Levesque): Spear Gun

The adage that people look like their pets but here I look like my weapon, Aunt Helene (Nicky Guadagni): Battle Axe.

If you’ve read this blog before you’ll know I like a good bloody horror with a dry sense of humour.

I can say there’s certainly some bloody moments here, tending to the visceral.

And the humour, although slightly over-done, had me smirking with a few snorts (not unlike Grace herself who isn’t against a snorting laugh when called for): brother in-law, Fitch Googling, ‘getting to know your crossbow’ before his attempt to murder his new sister in-law.  And then there’s death-stare Aunt Helene giving the salutation to niece, Emilie (Melanie Scrofano), ‘You continue to exist’.

Perhaps not a laugh-out-loud tickle (more WTF is going on but I guess I’ll just have to roll with it), there’s a lot of fun here, played with wide-eyed and cool appreciation from Samara Weaving as the fighting-for-her-life and screaming-when-necessary, Grace.

And there’s a decent storyline that edges towards some twists but really more about the beautiful and self-deprecating, Grace.  You want her to get out alive, which is the kinda the point of the movie.

CHiPS

Rated: MA15+CHIPS

Director: Dax Shepard

Producers: Ravi D. Mehta, Dax Shepard, Andrew Panay, Rick Rosner

Written by: Dax Shepard

Based on: CHiPs TV series created by Rick Rosner

Starring: Dax Shepard, Michael Peña, Rosa Salazar, Adam Brody, Vincent D’Onofrio, Jessica McNamee, Kristen Bell, with Jane Kaczmarek, Maya Rudolph, Ed Begley Jr, and Josh Duhamel

The original television series of CHiPs (1977-1983), was an action ‘dramedy’ dealing with the daily crime fighting of the California Highway Patrol officers on their motor cycles. Two of its main characters were played by Erik Estrada (macho, trouble-pronue probationary Officer Frank “Ponch” Poncherello), and Larry Wilcox (strait-laced field training Officer Jonathan “Jon” Andrew Baker).

My memories of this TV show are vague as I only ever saw a few episodes, so I had little idea of how this updated cinema version would compare to its predecessor.

I will happily admit that I found the film to be a guilty pleasure. It was rude, profanity-laden, sexist and with an over-reliance on visual gags and nudity, and it will never win any awards for subtlety. But it was also quite funny and engaging, and in some strange way had its heart in the right place, especially with the depiction of the relationship between its lead characters.

In a reversal of the original TV premise, Officer Jon Baker (Dax Shepard) is now the probationer. A beaten-up former pro motor biker, he is trying to put his life and marriage (to Kristen Bell’s character) back together. Baker is touchingly loyal to his ex-wife and desperately keen to make something of himself. His honesty and odd personality quirks, as well as a running gag based on his unusual reaction to household smells, makes him very appealing. He reminded me of Zach Braff’s character in the TV comedy Scrubs, with both actors sharing a goofy, endearingly naïve charm.

Castillo (Michael Peña) is now a cocky undercover Federal agent masquerading as Officer Francis “Frank” Llewellyn “Ponch” Poncherello, assigned to investigate a multi-million dollar heist that may be an inside job, inside the California Highway Patrol. Ponch is a bit sleazy yet still has some of the boyish charm on show in his earlier comic roles in Ant Man and The Martian.

It doesn’t give the plot away, such as it is, to know that Ponch doesn’t always obey the rules, and has little patience with his naïve rookie partner as he tries to uncover the criminal element within the CHiPs organisation. The plot of this film is not particularly strong or original, and the audience is kept entertained enjoying the visual and verbal humour on display between the two leads.

There were many opportunities to showcase a range of stunts, and by enlisting renowned stunt performer Steve De Castro, plus pros and the best stunt riders for the trickiest and most spectacular manoeuvres, director Shepard ensured these aspects of the film were executed effectively. When Shepard’s character speeds along Californian highways and we get his point of view, the scenes are breathtaking, visceral and convincing, almost making me wish I could ride at all.

Cinematographer Mitchell Amundsen (The Bourne Legacy, Mission Impossible 3 and Transformers 1 and 2) made every action sequence zing, while Los Angeles was impressively utilised in the location scenes.

There were some humorous cameos from comic actors including Jane Kaczmarek and Maya Rudolph as senior police officers, and a brief stint from Josh Duhamel, but the movie belongs to Ponch and Jon and their budding bro-mance.

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