Longlegs

GoMovieReviews Rating: ★★★☆ (3.8/5)Longlegs

Rated: MA15+

Written and Directed by: Osgood Perkins

Produced by: Dave Caplan, Brian Kavanaugh-Jones, Oddfellows, Dan Kagan

Director of Photography: Adrés Arochi

Starring: Maika Monroe, Nicolas Cage, Blair Underwood, Alica Witt, Kiernan Shipka.

‘You’re a dirty sweet girl.  You’re my girl.’

T. Rex 1971.

Longlegs is one of the creepier serial killer movies I’ve seen.

The film is created with odd camera angles, the texture of the film, stark.

There’s a quiet tone to the film as FBI Agent Lee Harker (Maika Monroe) makes her way through the case of a satanic serial killer, AKA Longlegs (Nicolas Cage): a killer who doesn’t leave a trace.

The only reason the FBI know about Longlegs is because he leaves a note.  A cipher.

Agent Harker is able to decipher the notes because Longlegs breaks into her house and leaves her the solution to the code.

And then the dance between Longlegs and Harker begins.

The toneless affect of Harker blankets the film in a monotone, making the feeling flat.  It’s a strange device but I get the connection to the life-sized dolls that are introduced later in the film; however, the dampening of Harker made her character borderline dull.

Aside from the flat affect, this is a carefully crafted film with thought put into the build, the montages of crime scene photos, the sometimes up-side-down perspective, the quiet then screech of strings, all to build that unnerving feeling.

Then add Nicolas Cage as Longlegs spouting the bizarre while looking directly into the camera so it’s like Longlegs is speaking directly to you as you watch the movie and you get one unique film that gets under your skin because it takes risks in the storytelling.

On rare occasions when a film has a particular poetic flavour, I’ll re-read my notes and take that as a synopsis:

A corner camera angle, looking through the front windscreen and side window of a car.

A snowy forest.

A little girl watches from her bedroom window.

Just the lower half of the face, a weirdly made-up face, a powdered face.  A male’s high voice.

Strings screech.

Knock, knock.

Have you seen this man?

She’s quiet – he’s in there.

Half psychic.

Ciphers – ten families.

Making the father murder.

Like a tapping on the shoulder.

Highly intuitive.

14th: happy birthday.

911 call.

Flashes of crime scene photos.

Boiling black ink that overflows.

All your things.

Not nice things.

Our prayers protect us from the devil.

Newspaper clippings.

A  life-sized doll.

A nowhere between here and there.

The man down the stairs.

From the perspective of the doll.

Looks right down the camera.

Birthday girls.

The doll maker.

You’ve won.

Happy birthday.

Creepy.

 

The Unbearable Weight of Massive Talent

Rated: MThe Unbearable Weight of Massive Talent

Directed by: Tom Gormican

Written by: Tom Gormica & Kevin Etten

Produced by: Nicolas Cage, Mike Nilon, Kristin Burr p.g.a., Kevin Turen

Starring: Nicolas Cage, Pedro Pascal, Sharon Horgan, Ike Barinholtz, Alesssandra, Mastronardi, Jacod Scipio, Lily Sheen, with Neil Patrick Harris and Tiffany Haddish.

‘You’re a fucking movie star and don’t you forget it.’

Massive talent is a clever movie because it has all the humour of the Nick Cage swagger, yet layered with Nick as Nick, then Nick writing a script about the movie that is Nick, which is an, ‘adult drama’ about the friendship of two men, that is to say Nick being invited to the house of Javi (Pedro Pascal), a supposed murderous weapons dealer, in Mallorca for his birthday.

For $1 million Nick hopes the request isn’t for anything more than a party invite.

Turns out Javi has a script he wants Nick to read.

He’s a huge fan.

They get along.

It’s like kids hanging out that click and know they’re going to be best friends.

It’s good fun with some decent belly laughs along with the clever fold of story over the actor that is Nick.  He evens has an alter ego of himself as young Nick – ‘Never shit on yourself.’

There is more to the story of the film then the Cage-factor with kidnapping and cartels set on the coast of Spain.

Family drama gets involved with the ever suffering, thank-god-she’s-in-my-life ex-wife, Olivia (Sharon Horgan) with daughter Addy (Lily Sheen), ‘she thought Humphrey Bogart was a porn star.’

There’s some great dialogue here and Nick’s little flicks of the head and self-obsession in therapy with said family is gold.  As is the sincerity of Javi’s fandom seen in his wide-eyed star-struck regard of Nick.

I felt like the film goes on a bit at the end (a bit like this review, but never shit on yourself ; ) and the soundtrack gets jaunty, letting down the tone down at times.  But a good entertainer with some clever thrown in that doesn’t take itself too seriously.

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