Lassie Come Home

Rated: PGLassie Come Home

Directed by: Hanno Olderdissen

Screenplay: Jane Ainscough

Produced by: Henning Ferber

Starring: Niko Marischka, Bella Bading, Sebastian Bezzel, Anna Maria Mühe, Matthias Habich.

When I think of Lassie, I think of a dog who knew too much. Way too much. Previous Lassies would bail up the villains, almost before they’d managed to commit the crime. Whereas Florian Maurer’s Lassie, possibly due to her intensely close bond with the boy, shares many of the personality traits of her 12 year old partner in crime.

Lassie is both a mischievous bundle of fur and an exceptional athlete with her go button stuck on high. She never walks when she can run but, mostly, Lassie careens around as if powered by a secret jet pack. So, it is not surprising when the landlady’s bag of groceries is knocked flying as Lassie tears down a narrow staircase or she leaves an elegant trail of paw prints when she bounds across some freshly painted road markings. It is this overflowing exuberance that sees her banished from the apartment where her human family have recently taken up residence.

With the landlady waving the lease and refusing to budge, her family must find Lassie a new home. At least temporarily. Fortunately they are friendly with Graf von Sprengel, the dog-loving owner of a grand country manor. Flo and Lassie are desolate at their separation, even though they will be living within in walking distance of each other. That is, until Graf needs to travel to an island in the North Sea to sell his summer home.

It’s from here that Lassie races off. When one of the hired hands attempts to mistreat her, Lassie sees her chance to bolt. It is the beginning of a series of adventures for both dog and boy as they vainly try to reunite. And, since she’s the only one with a phone so they can follow Lassie’s progress as it is captured and posted on social media, Graf’s 12 year old granddaughter Cilla joins the chase too.

As a dog of many talents, Lassie is well equipped for such an odyssey. It turns out that she is not only an expert at hitching rides and stowing away, but she’s a sausage snavelling fiend and an accomplished circus performer. And in true Lassie style, she can sniff out friend from foe at 20 paces.

As the film has been dubbed from the original German, there is in some places a slight disjunction between the emotion a character is displaying and the shape of their words, but this is a minor consideration. Not only is the cinematography gorgeous and the scenery stunning, the film has been well cast: from Flo and Cilla who are more like real children and not the overly earnest characters of previous generations to Bandit the Scottish Collie who plays his starring role with aplomb.

Rather than a dog who knows too much, Lassie is a headstrong creature with her own methods of solving problems. Since she doesn’t bite, Lassie frequently achieves her ends with some well-timed barking. A lot of barking. Lassie is still very much a super dog, but in a more doggy way.

With the focus of this film on friendship, and no awkward lectures on doing the right thing, I could just sit back and enjoy the pandemonium.

Ip Man: Kung Fu Master

Rated: MA15+IP MAN KUNG FU MASTER

Directed by: Li Liming

Produced by: Kai Pictures/Palm Entertainment

Starring: Dennis To, Yuan Li Ruo Xin, Michael Wong.

Mandarin with subtitles

‘It’s not important when you die, but how to live,’ says San Ye (Michael Wong), an honourable mobster who will deal in anything.  But opium.

San Ye believes in the Axes – a gang of axe wielding martial artists.  Ip Man (Dennis To) is a police captain.  He believes in the law.

But when the Japanese start smuggling opium through the docks of Foshan, the Axes and the Law make unlikely allies.

The story gets way more complicated than just a drug smuggling feud.

There’re double crosses, triple crosses, with each rapid shift of scene spliced with another story so a Kung Fu fight cuts to a game of checkers, the game pieces like the black hats wielding axes. Or a misunderstanding leading to more Kung Fu fighting cutting to Ip Man’s wife having a baby (named Chun, of course).

Then there’s the classic comic character, the drunken uncle, who’s really a master in disguise and willing to fight.  When bribed with the promise to pay for his wine for two years.

And that’s before the introduction of the Masked Man.

Based on the legendary teacher of Bruce Lee, Ip Man, there’s many other previous instalments of Ip Man movies out there:  Ip Man (2008), Ip Man 2 (2010), Ip Man 3 (2015), the spin-off Master Z: Ip Man Legacy (2018) and another sequel Ip Man 4: The Finale (2019).  The above directed by Wilson Yip and starring Donnie Yen.

This is the third time Dennis To plays the role of Ip Man, after 2010’s Ip Man: The Legend is born (directed by Herman Yau), and 2018’s Kung Fu League (directed by Jeff Lau).

So it’s a popular character, Ip Chun, the son of Ip Man, praising Dennis To as the most accurate portrayal of his father.

And there’s a lot of action here as the film dives from one thought to the next, keeping up the pace.

What wasn’t successful was the change in emotional tone.

The drama in, Ip Man: Kung Fu Master relies heavily on a cheesy soundtrack, at one point the lyrics part of the scene, so there’s this superficial skating over every opportunity for depth in the relationships just to get to the next part of the story as quickly as possible.  But that pace doesn’t stop the story going to those tearful goodbyes at the train station or a sacrifice for family.  And that’s OK because the film isn’t about the drama, the theme is more about Kung Fu versus Karate.  Or is it?

The only foundation of the story is the honour of Ip Man and the setting up of those action, martial art scenes.

Although emotionally transparent, some of those action scenes were shot with vision, the camera shot from above to see the patterns of fighters running like water down a drain.  A little like the emotional content of the film.

But if you can stomach the cheesy attempt at drama and the patriotic tone of good (Chinese) versus bad (Japanese), there’s some fun twists in the story that keeps the action entertaining.

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