Wrong Turn

Rating: TBCWrong Turn

Directed by: Mike P. Nelson

Screenplay by: Alan B. McElroy

Based on: ‘Wrong Turn’ by Alan B. McElroy

Starring: Matthew Modine, Bill Sage, Charlotte Vega, Emma Dumont, Damian Maffei, Valerie Jane Parker, Chaney Morrow, David Hutchinson.

Seeing the preview to Wrong Turn, it’s easy to think you’re in for another movie about a group of teens getting lost in the woods and murdered by some crazed hillbillies.

But ‘wrong turn’ doesn’t just mean, opps, went off the trail in the woods and got murdered.  There’s the idea of the moral, taking a wrong turn, of right and wrong – the question of what is the right way to live, what code, what society; to even think about, what is sick and what is living.

It’s a difficult movie to review.

So I’ll try to outline a synopsis without giving too much away.

Three couples go hiking on the Appalachian Trail.

Immediately, the tone of the film is ominous with flames and scary locals, shadowy figures and the landlady of the B&B where the group is staying, warning: ‘The landscape can be… Unforgiving’ (kinda harking back to that, right and wrong, idea).

There’re rumours of people living on the mountain.  Families going to live up there in 1859, to keep living the American Ideal.  They call themselves, The Foundation.

Any strangers that leave the trail and get lost up there never come back.  Either alive or dead.

But when Scott’s (Matthew Modine) daughter, Jen (Charlotte Vega) goes missing, he’s determined to find her.

And that’s where the film opens, to a father nervously tapping his clenched fist against his thigh as he drives into a small town in middle America.

The film starts as this visceral horror.  Not too gory but shocking at times and clever in the suspense and pacing – cue soundtrack building to those unexpected jumps.

At one point Jen laments, ‘This isn’t happening.’

And it is surreal how the movie (getting a little metaphysical here) unfolds, still a suspense thriller but pushing some unexpected questions from the characters and ideas for the audience to think about.  And it keeps going, with a horror-weird-society-cult-story layered with thought-provoking ideas like people’s preconceptions of what it is to live completely free from modern society being used to twist the story into another direction, so you follow the film into unforeseen places.

I really enjoy a film that starts as one type of movie to then open up and take the audience somewhere else.

What I thought was going to be a teen slasher move turned into so much more – but still with good jumps and hands-in-front-of-the-face action; not so confronting I couldn’t watch.  But enough to get the heart pumping, to keep watching to see where the film took me next.

Interesting stuff.  And entertaining.

Hope I haven’t given too much away because it’s such a pleasure to be surprised by a film and, Wrong Turn went places unexpected – worth a watch.

American Assassin

MA 15+American Assassin

Directed by: Michael Cuesta

Produced by: Lorenzo di Bonaventura, Nick Wechsler

Screenplay by: Stephen Schiff, Michael Finch, Edward Zwick, Marshall Herskovitz

Based on: ‘American Assassin’

Written by: Vince Flynn

Starring: Dylan O’Brien, Michael Keaton, Sanaa Lathan, Shiva Negar, Taylor Kitsch, David Suchet, Navid Negahban, Scott Adkins and Charlotte Vega.

In the same vein as previous characters adapted for on-screen action-thrillers, Jack Reacher and Jason Bourne, American Assassin is based on a series of action-thriller novels written by Vince Flynn, featuring Mitch Rapp (Dylan O’Brien): a tortured soul out for revenge.

Training and fighting to kill the terrorists responsible for the death of his fiancé, Rapp is eventually recruited into the CIA by Deputy Director Irene Kennedy (Sanaa Lathan) to become part of an elite black ops outfit under the guiding, unwavering, cold hand of legend, Stan Hurley (Michael Keaton).American Assassin

Although a later book in the series, production decided on, ‘American Assassin’ as this shows the origins of Rapp and how he became such an angry, one-man terrorist killer.

There’s a familiar feel to the classic formula of the CIA super-recruit. And I’m a big fan of action-thrillers.  But the character Mitch Rapp didn’t have the same humanising warmth as Jason Bourne (Matt Damon).  Rapp is such a hard, angry, focussed young buck, that the film became twee at times with borderline over-acting from O’Brien.

Michael Keaton has the military bearing and intensity needed for the role of trainer, Hurley.  And the fight scenes and bloody bits (spraying into the camera at times) are all believable, giving the film the action-thriller title it deserves.

Yet, there’s just so much macho going on here.American Assassin

The villain, Ronnie, AKA, Ghost (Taylor Kitsch) was the softer of the assassins, to the extent I was tempted to root for him!

Director, Michael Cuesta previously directing, Kill The Messenger (2014) and TV episodes from the likes of Homeland and Dexter, gives American Assassin that dry, flat, violent feel without humour.  This is a serious movie.

And without the colourful Michael Keaton (although kept on a short leash), the film would have been relentless.  As is, I still felt myself drifting with the overdose of action so I lost interest as the film progressed.

Add some of that cheesy attitude of blind-sighted need for domination with exclamation from the soundtrack, I got put off, the suspension of belief wavering, so when Deputy Director Irene Kennedy kept calling Mitch Rapp, ‘Rapp’, I started to cringe.

So, better than Jack Reacher (particularly the first!) but not as good as Bourne.

[amazon_link asins=’B075K13S6G,B075FDJ8DB,1501180495′ template=’ProductGrid’ store=’gomoviereview-20′ marketplace=’US’ link_id=’9c9c20a4-eb53-11e7-bb49-a1f6897d97c2′]

Subscribe to GoMovieReviews
Enter your email address for notification of new reviews - it's free!

 

Subscribe!