Becoming Cousteau

Rated: MBecoming Cousteau

Directed by: Liz Garbus

Produced by: Liz Garbus, Dan Cogan, Mridu Chandra, Evan Hayes

Written by: Mark Monroe & Pax Wasserman

Executive Producers: Julie Gaither, Carolyn Bernstein, Ryan Harrington.

Becoming Cousteau is an inspiring documentary about the man who showed the world what lies below the surface of the sea.

With eyes staring through goggles, Captain Cousteau is quoted, ‘Diving under water is the greatest distraction.’

On land we’re constantly fighting gravity.

When asked what it’s like under the surface, he replies, ‘It’s fantastic.  Imagine having no weight.’

In the beginning it was his curiosity that led him to dive deeper under water, to a place where he could dream.

When Germany invaded France in WWII he was able to forget what was happening on land.  He was able to escape into another world.  Where, for a time, he envisaged people living under the water.

The documentary is a linear biography of Cousteau’s life, from 1935 as a pilot for the Navy, to the end of his life in 1997.  His life an evolution from an underwater explorer to inventor, film maker, philosopher, husband and father to environmentalist.

Universally respected as a scientist and explorer, his voice opened people’s eyes to the beauty of the underwater world, and the danger of losing it.

Through newspaper articles and interviews, footage from Cousteau’s many films, including Oscar Best Documentary winner and winner of the Palme d’Or award, The Silent World (1956), Cousteau showed the world life under the sea and even made an impression on Picasso who was amazed by the unexpected colours and held onto a piece of coral given to him by Cousteau until he died.

Thoughts written in journals are read of Cousteau’s experiences while sailing the seas on the explorer vessel, The Calypso.

Cousteau invents the Aqualung out of necessity, technology that allows him to dive deeper into the depths.  And seeing more, discovering more he wants to take a camera with him so invents a case, so he can film underwater.

Inventor turned film maker, he created 52 TV shows as he satisfied his curiosity to explore the ocean.

His notebook was his camera.

The documentary paints a picture of a truly amazing and brave man.  Yet there’s balance in the telling with the risk of diving further than before requiring, ‘a strong head and cold heart.’

He admits his curiosity ruling his life while he neglected his family.

And with the discovery of the sea in distress from all the pollution, there’re years of pessimism and grief for the passing of his son, Philippe.

Like the black and white film made bright with splashes of fluorescent colour, the film brightens with hope – The Cousteau Society still strong today in its efforts to conserve the environment.

But I don’t think the intention of the documentary is to share a message of conservation, although this was important to Cousteau in the later years of his life.  The feeling is more a biography of a man whose curiosity led to fascination to then love and the want to protect.

Free Solo

Rated: MFree Solo

Directed by: Elizabeth Chai Vasarhelyi & Jimmy Chin

Produced by: Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes

Cinematographer: Jimmy Chin

Featuring: Alex Honnold

‘I see it all rooted in rationalism, in a basic evaluation of objective reality: Can I do this?  And if I can, then I just do it’ – Alex Honnold.

After nine years of living in a van, living a ‘dirt-bag’ climber existence, professional rock climber Alex Honnold overcomes the most fearsome feat for a ground dweller to contemplate: to free solo climb (rock climbing without rope or any safety net if he falls) the El Capitan in Yosemite National Park.  A 3200-foot climb that climbing with ropes requires a gold medal standard of skill.

To climb without a safety-net requires an iron-clad emotional armour where fear has no place.

This ability to overcome fear became such a fascination Alex agreed to have a Functional-MRI scan to analyse the function of his brain while pictures of fearful images were shown: knives, heights (ha, ha).  It was interesting to see his amygdala showed no activation compared to the control.

Alex explains he’s faced his fears so often there’s no fear left.

Director Jimmy Chin explains the difficulty in filming a documentary where the threat of death is as close as you can get.  It has its issues.  Especially when you’re friends with the guy.

It’s all about trusting the subject (friend) to make the right decisions and not push just because he’s on camera.  And that trust and not wanting to see someone you know fall to their death while you’re filming creates a whole other dimension to the film because we see the type of personality it takes to contemplate, let alone, achieve something so dangerous, scary, impossible.

Adding girlfriend, Sanni McCandless, to the mix just shows the layers of emotion Alex has to process, or not – he’s kinda a cold rational thinker adding a bizarre lightness to the tone of the film – to get to a headspace to make such a climb.

Free Solo wasn’t so much a thrill ride, although I kept repeating, Oh my God.  Oh. My. GOD – the ‘Boulder Problem’ part of the climb had me gripping the arm rest of my seat.  The film was more an insight into the process to get to that headspace – iron-clad determination combined with a shrug of, We’ve all got to die at some stage.

Finding the edge just makes death feel more immediate.  If you die in an accident, then it’s a shame – you’ll be missed.  But dying on your own terms changes the dynamic.  Life is short.  Live it.

When someone loves you, like Alex’s seemingly accident-provoking, ever-loving girlfriend Sanni, then there’s more to lose.

The film asks, but if you don’t do what you love than how do you feel alive?

Free Solo isn’t a documentary just about Alex, it also brings the film makers into the story, to show the truth of what Alex’s trying to achieve.  It’s crazy.  To film the climb is crazy.  But he does it.  And it’s amazing.

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