The Promised Land

GoMovieReview Rating: ★★★★The Promised Land

Rated: MA15+

Directed by: Nikolaj Arcel

Screenplay Written by: Nikolaj Arcel, Anders Thomas Jensen

Based on the Book by: Ida Jessen

Produced by: Louise Vesth

Starring: Mads Mikkelsen, Amanda Collin, Simon Bennebjerg, Gustav Lindh, Kristine Kujath Thorp.

‘God is chaos.  Life is chaos.’

‘I don’t agree.’

Opening in 1755, the heath of Jutland cannot be cultivated.

For decades the king has sent men to tame the heath but it cannot be tamed; until single-minded Captain Ludvig Kahlen (Mads Mikkelsen) seeks permission, his reward a noble title, manor and servants.

The Royal Treasury betting on the captain being unsuccessful, they agree, not realising the determination of Kahlen, a gardener’s boy turned decorated captain, serving 25 years in Germany.

Kahlen hacks at the heath, harrowing by hand as the seasons pass with snow, sun, rain and mist.  With the help of a minister, Anton Eklund (Gustav Lindh), he finds husband and wife, Johannes Eriksen (Morten Hee Andersen) Ann Barbara (Amanda Collin), runaway farming tenants to keep house and farm in return for shelter and food.  But no wage.

It’s the best deal they’ll get, on the run from their master, Frederik De Schinkel (Simon Bennebjerg), Khalan’s powerful neighbour, the scars running across Johannes back telling the tale of Schinkel’s brutality, symptomatic of the nobility shown to care more for politics than the value of life, servants treated like slaves, raped and whipped and boiled alive.

Schinkel decides the heath is his land.

Uncultivated land is the king’s land.  But if Khalen is successful, the land will be settled, bringing people, making Khalen a noble and therefore competition for power.

The film follows Khalen as he fights for his dream, digging deeper into his past as he builds his life with the people who share his work, the outlaws and the young darkling, Anmai Mus (Melinda Hagberg) bought and sold and cheeky.

There’s a David and Goliath theme, and what Khalen’s willing to sacrifice to succeed.

Director and screenwriter, Nikolaj Arcel states: ‘I wanted to tell a grand, epic tale about how our ambitions and desires will inevitably fail if they are all we have. Life is chaos; painful and ugly, beautiful and extraordinary, and we are often helpless to control it. As the saying goes, “We make plans and God laughs.”’

At times, The Promised Land hard to watch because I became emotionally invested in the characters, the hard choices, the evil of power – it’s a dark tale but there’s also light.

Like the endless fields of heather, it’s a vast feeling, watching the earth turn over, the soil running through Khalen’s hands, so the film becomes a story about what to hold onto in life and what to let go.

 

Fantastic Beasts: The Secrets of Dumbledore

Rated: MFantastic Beasts: The Secrets of Dumbledore

Directed by: David Yates

Screenplay Written by: J. K. Rowling & Steve Kloves

Based on the Screenplay by: J. K. Rowling

Produced by: David Heyman, J. K. Rowling, Steve Kloves, Lionel Wigram and Tim Lewis

Executive Producers: Neil Blair, Danny Cohen, Josh Berger, Courtenay Valenti and Michael Sharp

Starring: Eddie Redmaye, Jude Law, Ezra Miller, Dan Fogler, Alison Sudol, Callum Turner, Jessica Williams, Katherine Waterston and Mads Mikkelsen.

‘No one can know everything.’

A quietly rocking train.  Professor Albus Dumbledore (Jude Law) sighs.

Gellert Grindelwald (Mads Mikkelsen) comments, ‘They like to chatter, the muggle friends.’

Grindelwald thinks of muggles as animals.

‘But they do make a good cup of tea.’

Dumbledore and Grindelwald were going to take over the world when they were young.  They made a blood pact, a powerful spell meaning they could not harm the other.

Now that Grindelwald wants to destroy the muggle world and take control of the wizarding world, it’s a pact Dumbledore regrets.

The Secrets of Dumbledore continues on from the previous instalment of Magic Beasts.  And for me, this is the best one yet.

I was absolutely delighted, there’s no other way to describe the feeling of seeing Newt Scamander (Eddie Redmayne) along with the Pickett, the Bowtruckle and Teddy the Niffler.

Newt describes Teddy as frankly a nightmare but what would he do without him?  Remembering Teddy’s also the critter who managed to steal back the pendant holding the blood of Dumbledore and Grindelwald – he’s a very clever Niffler still obsessed with gold and still hilarious.

Queenie (Alison Sudol) still resides with Grindelwald as does the darkly disturbed Obscurial, Credence (Ezra Miller) – the only wizard powerful enough to attempt to kill Dumbledore and used by Grindelwald because the pact dictates he cannot kill Dumbledore himself.

A wanted criminal, Grindelwald wants to be free. He wants to take over the world.

To fight back, Dumbledore calls upon: Newt along with Newt’s brother, Theseus (Callum Turner), Head of the British Auror Service; Newt’s assistant, Bunty (Victoria Yeates), ‘No one can know everything.  Not even you,’ she tells Newt.

Muggle baker Jacob (Dan Fogler) is called back, even though he’s heartbroken and doesn’t want to, he can’t resist saving a dame in distress; introducing, Eulalie Hicks (Jessica Williams): ‘Well, you do know I’m a witch, right?’

And finally, there’s Yusuf Kama (William Nadylam) of an old wizardly bloodline quietly adding his graceful loyalty while he morns for his half-sister, Leta.

They all look at one another, so this is who’s going to save the world?

There’s a different tone to his instalment, less of that 1920s feel and more dungeons and deep dark forests, temples on clifftops and snow falling from the sky as Credence uses the Obscurian to tear the streets apart.

Newt with his fantastic beasts adds lighthearted moments, his crablike dance to pacify, well, killer crabs had the entire audience in the cinema giggling.

Again, the beasts were a strong feature in the film, and what I also really enjoy in, Fantastic Beasts is the use of objects – the pendant holding the blood pact, the snake wand, Newt’s case holding the magic beasts.  The attention to detail is thoroughly absorbing.  Every detail balanced, the storyline, well-paced.

There’s a perfect play of darkness and light in, The Secrets of Dumbledore as the story starts digging deeper: it’s funny, sometimes confronting, it’s explosive, dramatic and heart-warming.

I’m looking forward to seeing what comes next.

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