Directed by: Matthew Vaughn
Written by: Jane Goldman, Matthew Vaughn
Produced by: Adam Bohling, David Reid, Matthew Vaughn
Starring: Colin Firth, Julianne Moore, Taron Egerton, Mark Strong, Halle Berry, Elton John, Channing Tatum, Jeff Bridges, Edward Holdcroft, Michael Gambon and Poppy Delevingne.
I like to think I have a dark, somewhat, twisted sense of humour, but about 15 minutes into, Kingsman: The Golden Circle, it stopped being funny and became ridiculous.
As with the first, Kingsman (Kingsman: The Secret Service), there is the intentional push into the bizarre with sociopathic villains sporting robotic attachments – akin to a Bond film, yet modernised.
Which led to the huge success of the first Kingsman: entertaining action with a spot of difference that refreshed the British Secret Service while retaining all the charm.
The attempt to modernised the spy genre here, however, was a script filled with the cliché and the just plain stupid.
The inclusion of the Glastonbury Festival and the aged-before-her-years bimbo and terrible dialogue with pick-up lines such as, ‘My crow is looking for a place to nest’, led to confusion with a blurred line between the film making fun of itself and being silly, or not, and therefore coming across as stupid, try-hard and gross.
Funnily enough (ha, ha, there’s my lazy pun for the day), the apparent obsession with the sh#tter was some of the most amusing parts.
Following on from Clara (Poppy Delevingne), the Swedish Princess getting it Greek style at the end of, The Secret Service, we now have Eggsy (Taron Egerton) swimming in a sh#t filled sewer, an old man having the best sh#t in two weeks, and Elton John offering a backstage pass if Eggsy once again, saves the world.
So, you can tell the style of humour… And those were the funny bits…
The storyline had holes (ha, ha, just can’t stop those puns) as well.
Enter Eggsy, battling Kingsman-rejected, Charlie (Edward Holdcroft) leading to the Kingsmen being hacked by drug lord, Poppy (Julianne Moore) – a woman stuck in the 1950s, living her days in the jungle in a replica of the setting of, Happy Days, but with robotic killer dogs and a drive to serve-up minced human flesh as prime hamburger meat.
This is a super-successful business lady who’s getting no cred.
So, Poppy decides she wants illicit drugs legalised and therefore taxed to get credit for being a successful business woman? And to give the government control of the drug trade? The elaborate plot Poppy, the drug lord, devices is not going to give Poppy more money or a prize for, Business Woman of the Year. It doesn’t make sense.
Add the American branch of independent secret service, resplendent with cowboy hats, code names like, Whisky, and the sound track of Country Road that seems to be following Channing Tatum around after, Logan Lucky, you’ve got the original idea of Kingsman, a modern James Bond, to modernised B.S. (the sh#t included).
What I did like was the amazing camera work with the audience being spun around and skidding and kicking and Kung Fu fighting right along-side Eggsy. And the character, Eggsy, was still likeable here.
But instead of the class of the iconic British gentleman, it felt like the entire cast was given a touch of the idiot.
Even Colin Firth as Harry Hart played a doe-eyed, brain-damaged, butterfly enthusiast for most of the film.
So, yes, there’s explosive, huge-budget action, but riding on a patchy plot, filled with the ridiculous.
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