Best Sellers

Rated: MBest Sellers

Directed by: Lina Roessler

Written by: Anthony Grieco

Director of Photography: Claudine Sauvé

Editor: Arthur Tarnowski

Produced by: Jonathan Vanger, Pierre Even, Cassian Elwes, Arielle Elwes, Wayne Marc Godfrey

Executive Produced by: Petr Jakl, Martin J Barab

Starring: Sir Michael Caine, Aubrey Plaza, Scott Speedman and Rachel Spence.

Best Sellers is a film about a crotchety recluse writer (he has, ‘Piss off’ taped to his front door), and a failing publisher, Lucy Skinner (Aubrey Plaza).

Lucy’s boutique publishing house is about to go under if she doesn’t find a relevant writer fast.

Enter, Harris Shaw (Sir Michael Caine).

The introduction of Harris Shaw, follows his ginger cat as it makes its way into his study to find him coughing and typing.   The phone rings, ‘He’s dead.  Bugger off,’ he says.

Harris is the classic Johnny Walker, Black Label, cigar smoking recluse writer Sir Michael Caine was made for.

Swipe to classical music: the city, a clean office and publisher Lucy Skinner getting the latest review of her recent Young Adult publication being read by side kick and assistant, Rachel Spence (Elle Wong).  It’s bad.

She needs a writer that will save the publishing house.

She needs Harris Shaw.

He could be dead,’ says Rachel.

Owing the publishing house a manuscript, on the proviso there’s no editing as long as he agrees to go on a book tour, Harris and Lucy set off in Shaw’s green Jag where he starts trending after introducing his book by reading an excerpt from Penthouse.

His favourite way to describe the book tour: ‘It’s all bullshite.’

‘Bullshite’ becomes a hash tag.

And of course the publisher and writer don’t get along, but along the journey bond while Lucy vomits in the toilet.

I like crotchety characters and movies about writers, so I enjoyed the banter between, ‘Silver spoon’ Lucy and, ‘It’s all Bullshite,’ Harris Shaw.

There’s tension and obstacles to overcome, getting to the heart of this abrasive yet brilliant man that got me cheering and quietly chuckling as Shaw declares his hatred for critics – it really does suck to be a critic sometimes.

But I have to say (speaking of being a critic) the soundtrack with that 70s jangle of music to try to lift the film into old-man-cheek, cheapened the sentiment.  Shaw’s like a Hemingway character with his ginger cat and cigar smoking from his mouth while typing the next, Best Seller.  The character deserved something more deliberate.  More… blunt.  Not, dandy grandfather music.

So there’s discord between the thoughtful and funny script writing from Anthony Grieco and the underlying tone built by the soundtrack.

The script includes snippets of poignant sentences like, ‘Art is not propaganda.  It’s an expression of truth,’ giving the usual drama of, I’m-here-because-this-happened, a little more.

So when the character asks the question, ‘Who put a collar on you?’  Dandy guitars aren’t going to reflect the truth of the character.

Best Sellers is a good movie.  Could be been a great movie.

Twist

Rated: MTwist

Directed by: Martin Owen

Produced by: Ben Grass, Jason Maza, Noel Clarke and Matthew Williams

Starring: Raff Law, Sir Michael Caine, Lena Heady, Rita Ora, Franz Drameh, Sophie Simnett, David Walliams, Jason Maza and Noel Clarke.

Loosely based on the classic Dickens’ novel, Oliver Twist, we have an older version of Oliver introducing the film as a story with, ‘No singing, no danc’n, and definitively no happy end’n.’

Twist is a fast-paced, modern day heist movie featuring orphans more the twenty-year old variety, in other words, old enough to drink.

The main character, Twist (Raff Law – yes, that’s Jude Law’s son and looks the spit of him) is described as an extreme graffiti artist – getting up high on buildings so more people can see his work.

He’s also a freerunner, the camera angles following front, above, a helmet cam looking forwards as he runs and jumps and… twists (tee, hee, couldn’t help myself).

Twist says, ‘I was better on my own’.

But then he meets Red (Sophie Simnett).

She’s a freerunner too.

And belongs to people.  To Fagin (Sir Michael Caine) who says thieving is surviving.

And to Fagin’s main crew, Batsey (Franz Drameh) and Dodge (Rita Ora); it’s like the family Twist thinks he doesn’t need but discovers he wants, ‘A family that eats together stays together,’ says Fagin.

Maybe Twist doesn’t want to be alone anymore.

And soon gets entangles in the next Big Job, only to discover there’s another player, Sikes (Lena Heady (Game Of Thrones)).  She doesn’t play nice.

There’s some fun moments here – who doesn’t like watching the trickery of freerunning?!  And some surprising violence.

The splice of music into the soundtrack from the radio or the jukebox was clever.

But sometimes it felt a bit trying, those light-hearted throwaway lines and inconceivable moments like landing in a carriage awaiting a bride and groom from a jump a good few stories above.

None of the jokes hit the mark.

And if you’re going to have the arrogance of strong-willed, baby-gangsters, some of that humour has to land otherwise it  just feels like they’re being brats.

That required optimism and I’m-immortal overtones dragged on some of the cooler ideas of art imitating life (there’s a nice piece that warms the heart), but the film twists the concept into a space that becomes unbelievably optimistic.

And that’s OK.  Because the film is directed at a younger audience.

Entertaining and although we all need some hope at the moment, Twist was a bit twee for my taste.

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