Category: Drama

Sing Street

GoMovieReviews Rating: ★★★★ 

Director: John CarneySing Street

Writer: John Carney

Starring: Ferdia Walsh-Peelo, Aidan Gillen, Maria Doyle Kennedy, Jack Reynor, Lucy Boynton, Kelly Thornton, Ben Carolan, Mark McKenna, Percy Chamburuka, Conor Hamilton, Karl Rice; Ian Kenny.

Whether it was the Irish accent, the characters or the 80s music (had a buddy with me who couldn’t help but sing along), Sing Street was a winner for me. 

I enjoyed director, John Carney’s previous film, Begin Again (2013) and the way music was incorporated into the story of Sing Street was very similar: stylised act used sparingly so it didn’t feel like a musical, just a film with a lot of music.  

And Sing Street had grit.  This is Ireland in the 1980s: lack of jobs and money, where alcoholism is rife and anyone who can escape to London is jumping on that ferry.

For those left.  It’s just a dream.

Conor Lalor’s (Ferdi Walsh-Peelo) parents are skint.  Money pressures lead to fighting, to tightening the belt.  Money has to be saved somewhere.  So Conor is transferred to the catholic school run by the Brothers featuring kids running amok.

Black-eyed and bullied, Conor meets the girl of his dreams, Raphina (Lucy Bonton).  A model, no less.  Showing courage, or just the power of teenage hormones, he invites Raphina to feature in a music video for his band.

She says, ‘Yeah maybe’.

Problem is, he doesn’t have a band.

This is a kid with a serious crush.  So he goes about putting together a band (Sing Street), the introduction of fellow band members and his brother, Brendan Lalor encouraging Conor, AKA, Cosmo, maps out the story of the film.  With 80s music featured, of course.

I’m talking boys with make-up and music from The Clash, The Cure, Duran Duran and many of the original tracks performed by Sing Street composed by Gary Clark (of the Northern Irish band, Relish) with John Carney able to take credit for co-writing a lot of the songs.  So that’s credit for directing, writing the script and writing songs?  That’s impressive. 

Also, this is an extremely hard film to make without becoming saccharine.  Thankfully, there was more meat to the story of boy has crush on girl out of reach, so I’ll put together a band and then she’ll love me.  This is film about escape from and the acceptance of all life can throw at you.  To plow through whatever the arguments, bullying and crap and to get on with it and create something else.  To feel something else.

It takes courage to reach.

I believed the shy Cosmo with his blushing cheeks, overcoming fear to reach for those stars.  And his muse, Raphina, could have been just a pretty yet annoying character, but she had class and philosophy – ‘That’s what love is Cosmo,’ she says.  ‘Happy-sad’.

Look, musicals aren’t really my thing – Glee?  Forget it!  But the way the music was incorporated into Sing Street was seamless.  And the tongue-in-cheek humour helped a lot, giving those few forgivable cheesy moments just the right touch to feel authentic.

 

Everybody Wants Some!!

GoMovieReviews Rating: ★★★☆ (3.8/5)

Director/Writer: Richard LinklaterEverybody Wants Some!!

Starring: Blake Jenner, Juston Street, Ryan Guzman, Tyler Hoechlin, Wyatt Russell, Glen Powell, Temple Baker, J. Quinton Johnson, Will Brittain, Zoey Deutch, Austin Amelio, Tanner Kalina, Forrest Vickery.

As suggested by the title (a classic by Van Halen), Everybody Wants Some!! is a tribute to the ‘80s era (and yes, they all really do want some).

Ah, the ‘80s – how far we’ve come from: pooh brown pants with tight shirts tucked in, the mighty mustache – the mighty mosh out in all its glory; tape decks and punk rock, smoking where-ever, pin ball machines and table tennis.

The film had a lot of fun with the college setting in the 1980s. But Everybody Wants Some!! was also about freshmen settling into college life with all the girls and parties and lessons to be learned.

Set at the start of term, freshman Jake (Blake Jenner) arrives at a house where the ceiling is about to collapse because the guys are filling up a water bed for better bedroom experience with the ladies.

This is the frat house for the college baseball team.

Following Jake and the other freshmen settling in over the 3-day lead-up to the beginning of classes, it’s party time, where the focus is finding a girl while sizing up the rest of the guys in the baseball team.

The guys are happily physical with each other; a natural competitiveness comes to light with each personality rising to the surface as the days and parties continue.

And the film evolves into an interesting story of guys facing the challenge of growing into themselves, and how friendships develop through the ability to appreciate difference; to be able to fight, get over it and grow.

There were some fascinating perspectives discussed while taking hits from a bong.

And I enjoyed the baseball!

I’m really not a sports fan, so I was surprised how much I liked seeing the characters play.

The baseball wasn’t a feature until later in the film and this was clever as it showed a more serious side to the characters: this wasn’t about sizing each other up and challenging, this was about working together as a team.  Bullshit just doesn’t cut it because this is about their future.  Something to be taken seriously.

So yes, there was loads of testosterone and girls in skimpy outfits.  But there was also an honesty and sincerity here.

Richard Linklater also wrote the 1993 film Dazed and Confused (the predecessor to this one).  I was far younger when I watched Dazed and Confused, and I loved the cheekiness of it, the fun.

Everybody Wants Some!! although still relational, had a greater intellectual aspect.  This is a step up from High School.  This is College.

These aren’t just idiot jocks out for a root (well, not all the time), there’s also a seeking, a challenge in these characters.  And it was good to see guys just being guys.

At the start of the film, I would have to say the humour was aimed at a younger audience, as was the message: more your teen to 20s, perhaps.  But I enjoyed the film more as it progressed.

An entertaining winter warmer loaded with testosterone developing into a film with a surprising amount of depth.

Goldstone

GoMovieReviews Rating: ★★★☆ (3.8/5)

Director/Writer/Music: Ivan SenGoldstone

Starring: Aaron Pedersen, Alex Russell, David Gulpilil, Jacki Weaver and David Wenham.

Sequel to Mystery Road (2013), Goldstone is a crime drama set on the backdrop of a desert mining town that gets you thinking about the value of life in isolation where the threat is from the people who run the town and earn the mighty mining dollar.

Out there in the desert, the desolate packed earth runs through the veins up to the soul of those unable to quench it.

This is a film driven by the strong performances of Aaron Pedersen as Jay Swan, the grieving drunken cop sent to the country of his mob to find a Chinese girl gone missing.  And Jacki Weaver as the Mayor: a cold character, with the ice in her stare showing the predator beneath her floral apron.

David Wenham as Johnny, the head of the mining company, was also a stand-out performance: an iconic Aussie character with his stubby shorts, long socks pulled up to the knees and glasses from the ’70s.

And the Indigenous people also play a part in this film, with old man Jimmy’s (David Gulpilil) voice echoing off the red rock reflected on the water of secret rivers.

It’s unique, the setting of this film.

Director Ivan Sen makes the most of the endless land and rosy sunsets by taking shots from high above to show the utter isolation of the place.  He uses the quiet threat of the land where wild half-breed dingoes and flies will eat you if you happen to get lost.  The lone cop, Josh (Alex Russell) telling the detective, the outsider, ‘Be careful where you step, there’s plenty of snakes around’.

And I found the quiet of the film interesting, with a soundtrack made up mostly of the desert wind and bird call of the outback.

This isn’t a film that entertains but takes you on a journey of crime in a place so isolated, the one cop in town is seemingly unable to fight it.

It’s a different set of rules in Goldstone, amongst the hawks and red dirt.  And this film highlights the difference between the organic, the value of fish in the river compared to the fake power of money.

Goldstone is glittering glass often mistaken for natural material.  And like the title of this film, money is just paper.  Human trafficking is not of the earth.  It’s a human trait, like fake gold.

So yes, this is a quality film that gets you thinking, but it’s such a quiet slow burner you need to concentrate with this one.

Me Before You

GoMovieReviews Rating: ★★★☆ (3.5/5)

Directed by: Thea SharrockMe Before You

Writer: Jojo Moyes – Screenplay and Novel

Starring: Sam Claflin, Emilia Clarke, Vanessa Kirby, Eileen Dunwoodie, Pablo Raybould, Gabrielle Downey, Steve Peacocke and Henri Charles.

When Lou Clark (Emilia Clarke) loses her job as a waitress at a café, she takes a position as a carer for the cantankerous quadriplegic, Will Traynor (Sam Claflin).

Born the eternal optimist, Lou works at winning a smile from a man who is literally on suicide watch.

Me Before You follows the relationship between Lou and Will, taking the audience through the highs and lows of a once adrenaline junky who had life in the palm of his hand to a man completely reliant on others to function in life or to even get out of bed.

So, between the super cheesy soundtrack, the Mary Poppins reincarnation exhibiting the most expressive eyebrows I’ve ever seen on film and a storyline made to squeeze tears, you can guess I’m not a fan of these drama/romance/tear jerkers!

Now that I’ve got that out of the way, I can also say that Me Before You was a heartfelt story with lovely moments and well-paced drama.

I couldn’t help but love Lou (even with those eyebrows), with her quirky outfits and genuine love of life and people: I’ve never hated anyone,’ she says.  And yes, she’s believable if not ditzy.

Will Traynor was suitably irritable, with the two characters set up in a narrative formula of cranky meets sweet.

Aussie actor Steve Peacocke as Nathan was a pleasant surprise: a no nonsense nurse who takes on the heavy lifting – a practical character who added a realistic view of Sam’s injury.

But the cheese of the soundtrack!

Look, I felt this movie, I really did.  There were tears and not a dry eye in the cinema.  And it wasn’t because it was all sad and disability, there was mostly a lightness, carried by the optimistic Lou. But, it’s a story made to pull the heart strings – romance crossed with the tragedy of debilitating injury leading to the controversial contemplation of euthanasia.  Not a storyline I’d usually go for, but a film well-paced with thought put into the characters and effort put into the build of the relationship between Sam and Lou.

If this is your sort of movie, yeah, it’s great.  But you need to be in the mood for this one.  Make sure to bring tissues.

Mustang

GoMovieReviews Rating: ★★★★☆ (4.5/5)

Director: Deniz Gamze ErguvenMustang

Screenplay: Deniz Gamze Erguven and Alice Winocour

Starring: Gunes Sensoy, Dogba Doguslu, Tugba Sunguroglu, Elit Iscan, Hayda Akdogan and Erol Afsin.

Originally screened in the Director’s Fortnight section at the 2015 Cannes Film Festival and nominated for Best Foreign Language Film at the 88th Academy Awards.

Set in Inebolu, a Black Sea village 600 kilometres from Istanbul, Mustang is about the freedom of five young sisters with wild hair trailing down their backs, with a glance and an innocent smile that can lead to so much trouble.

Brought up by their grandmother after the death of their parents at an early age, the sisters are suddenly, overnight, declared whores who need to be married off before they lose their virginity.

The girls are banned from going to school and bars are installed on the windows of the house: a prison built with good intentions.

The girls remind one of these wild horses, the Mustang, so free and shameless, so comfortable in their own skin facing towards the sun, socks stuffed down bright pink lacy bras and imagined sea shells found under a sea of blankets.

I can relate, growing up as the youngest of three girls on a farm in the middle of no-where.

Running through paddocks, playing chasie on hay bales, skinny dipping in the pool.  Idyllic days.  But society catches up.

Mustang depicts the fight between the new world and the tradition of the old and how the expectations of society can do so much damage to the individual.

Trapped and forced into marriage – what a nightmare.

What I enjoyed most about the film was the lack of vanity in the characters or the style of film.  It didn’t feel like I was watching a movie but was given a hidden window into the secret world of the young sisters.

Mustang doesn’t romanticize the characters, the behaviour felt authentic: these are wild young girls, not angels.

I loved how there was no pretention in showing how girls actually behave and the pressures that have to be tolerated to a point of change or destruction.

The beautiful sisters are so free and shameless because there’s nothing to be ashamed about being young and beautiful.  And the film captured this beauty so well, the girls unaware of people seeing their wild spirit, deciding they needed to be broken.

I was captivated by these young sisters, from start to finish.

As her first feature film, Deniz Gamze Erguven has given us a story that feels like it should already have been told, and I congratulate this fresh view of life that is usually hidden behind closed doors.

 

Hunt for the Wilderpeople

GoMovieReviews Rating: ★★★★☆ (4.2/5)

Rated: PGHunt For The Wilderpeople

Director: Taika Waititi

Based on the book: ‘Wild Pork and Watercress’, written by Barry Crump

Cast: Sam Neill, Julian Dennison, Rhys Darby, Rima Te Wiata, Rachel House, Oscar Kightley, Tioreore Ngatai-Melbourne, Troy Kingi, Cohen Holloway, Stan Walker, Mike Minogue, Hamish Parkinson, Lloyd Scott.

Hunt for the Wilderpeople is tongue-in-cheek and heartfelt where the characters are able to take a laugh at themselves ‘cause it’s all heart bro.

There are some familiar faces here – a solid performance from Sam Neill (Jurassic Park (1993, 2001), Peaky Blinders (since 2013), The Piano (1993)) as the reluctant crusty ‘uncle’, Hec Faulkner; Rachel House (Whale Rider (2002); Boy (2010)) as Paula, the overzealous welfare worker and Rhys Darby (Flight of the Conchords (2007-2009); What We Do in the Shadows (2014)) as the ‘bushman’, Psycho Sam.

But the standout for me was Julian Dennison (Paper Plans (2014)) all of 13 years old, as Ricky Baker.  This kid has talent, so-much-so, I couldn’t imagine anyone else playing the wanna-be-gangsta, Ricky.

I love hot water bottles (particularly now it’s getting to winter here), I love dogs, love the bush and aunties with cats on their jumpers.  And I love how this movie was about a foster kid trying to find his way and how an old crusty character can warm to a kid who’s his own person just like him.

There’s a poetry in the camera work (cinematographer, Lachlan Milne) – this is beautiful scenery of green bushland taken from up high, then down to running waterfalls, lakes mirroring an orange sky to the mud and rain of the bush; locations including Piha, Karekare, Bethells Beach, Horopito and the Kaimanawa Plains.

A lot of thought was put into the scenes, the director Taika Waititi (Boy, Eagle vs Shark, What We Do in the Shadows) waving his magic touch with the shadows of leaves on the car windscreen; the silhouette of fence posts in the dusk, balanced with the authentic flavour of performance, without too much polish and keeping a tight rein on the editing (Luke Haigh).

A film where the characters felt real, if not caricature in nature: you’re bound to meet one in the bush or down the street in New Zealand.  And that’s the point of difference with this film: a New Zealander flavour of the bush with cold and beauty combined with character.

I guess I could say some of the humour was a bit cheap, more for the kids or young at heart.  But this was just a few jokes – mostly I was smiling with a sometimes tear in the eye.

Hunt for the Wilderpeople makes you want to love people for who they are, not who they’re supposed to be.

Sometimes a stray gets found and given a home.  Sometimes the ones who are lost and unloved can be found, only to run away in the bush and get lost and then become a gangsta running from the cops, yo.

What can I say, one of my favourite Leonard Cohen songs (The Partisan) was part of the soundtrack, so yes I admit this film got under the skin.

One of those funny ones that make you cry a bit because it’s also sweet.

Whisky Tango Foxtrot

GoMovieReviews Rating: ★★★☆ (3.8/5)

Directed by: Glenn Ficarra, John RequaWhisky Tango Foxtrot

Screenplay: Robert Carlock

Based on: ‘The Taliban Shuffle: Strange Days in Afghanistan and Pakistan,’ by Kim Barker

Starring: Tina Fey, Margot Robbie, Martin Freeman, Alfred Molina, Billy Bob Thorton, Steve Peacocke; Christopher Abbott.

Comedy/War/Drama?

Kim is a 40-year-old copy writer who spends her time on an exercise bike going no-where.  No matter how hard she peddles, Kim’s life is going backwards.

Presented with an opportunity to get out from behind a desk and report in front of a camera in Afghanistan, Kim leaves her boyfriend and comfortable life for the chaos of the Kabul Bubble where shit literally flies through the air.

Whisky Tango Foxtrot (I’m thinking military speak for WTF) is a juxtaposition of genres: war, comedy and drama.

It’s hard to categorise Whisky Tango Foxtrot.  There’s some dark humour here: Kabul International Airport A.K.A Killed In Action.  But I would say this movie is a drama with the main character, Kim Barker (Tina Fey), having a midlife crisis.

At the beginning, I was concerned the film was falling firmly on the ‘My life Journey’ style of film, but thankfully, with the introduction of characters in Afghanistan, the film took off on its own journey with the focus on the characters and the reality of life in the ‘ka-bubble’.  

I wouldn’t call the film a comedy, even though Tina Fey (known as a comedian) is the protagonist, but there are funny moments with the misunderstandings between different cultures, and the inherent humour of Iain, the Scottish photographer.  Yes, this is mostly a drama with the elements of war: gun fire, bombs blasting and drones flying, played over with a sometimes cheesy soundtrack.  It was a strange juxtaposition between this romantic drama and comedy set on a backdrop of the war in Afghanistan.

I enjoyed watching this film because I liked the characters.  The translator, Fahim Ahmadzai (Christopher Abbott) was a standout with warm eyes and a genuine soul; then there’s the security guy Nic (Steve Peacocke), fellow journalist, Tanya Vanderpoel (Margot Robbie) – yes the film was heavy on the Aussie actors not that it’s a bad thing!  Then there’s the photographer Iain MacKelpie (Martin Freeman), the politician Ali Massoud Sadiq (Alfred Molina), the general Hallanek (Billy Bob Thorton) and then the people of Afghanistan.

This was a well-rounded story and it was heart-warming.

It was just some of the moments were strange.  For example, Kate reporting in front of the camera only to realise she’s standing near a dead body hidden under rubble but for an arm.  Not funny, just a bit strange.

The mission undertaken by marines with the green of night vision but with a romantic soundtrack playing, also strange.

But the strength of the storyline with the careful handling of the characters by directors, Glenn Ficarra and John Requa (Crazy, Stupid, Love (2011); Focus (2015)), made Whisky Tango Foxtrot an enjoyable film to watch.

 

Pawno

GoMovieReviews Rating: ★★★★☆ (4.2/5)

Director: Paul IrelandPawno

Screenplay: Damien Hill

Cast: Damien Hill, John Brumpton, Maeve Dermody, Mark Coles Smith, Kerry Armstrong, Malcolm Kennard, Brad McMurray, John Orcsik, Mark Silveira.

A day in the suburb of Footscray.

Pawno is a well-paced, character driven film with a great soundtrack.  This is a snapshot of Footscray culture showing insight into the need to belong with a bit of humour thrown in the mix.

I remember when I first moved to Melbourne in the ’90s, walking to the Footscray train station after staying at a friend’s the night before.  Suddenly, there was this young Vietnamese guy asking me, ‘Are you chasing?  Are you chasing?’

A catch phrase if I was looking for a hit.

Did I look like I was chasing?  I probably did that morning, hungover, a skinny 18-year-old heading for the train station on a Sunday morning.

Footscray is known for its drug culture.  But there’s so much more to this suburb, shown so well in this film.

The characters are the story.

The director, Paul Ireland, shared the difficulty in finding two actors who could play the part of Pauly (Mark Coles Smith) and Carlo (Malcolm Kennard), the two junkies drinking their dose of methadone, passing the day; great mates that’ll break your heart.

Friendship and humour can get a person through the day, through the quiet desperation of needing that hit.  The mateship of these two junkies is a delight even though the tragedy is obvious.  It’s such a pleasure to see the good boys underneath the bad.  To see the life behind the begging.  There’s a dark humour here, shown with a depth of understanding.

Then there’s Les Underwood (John Brumpton), owner of a Pawn shop: what a great place to show each character, to show the underbelly when in need of a loan.

Les is a wise and warm character on the one hand and a no-nonsense businessman, on the other.  An iconic Aussie male who’s seen it all and can tell the bullshit from the genuine.

But love his dog Ruby, you love the man.

It’s a fine line between making a profit and giving someone a loan out of mateship.  Sometimes, it’s brutal.

John tells a mother (Kerry Armstrong) looking for her junkie son, ‘The young keep their own time.’

What more can he do?

‘I’ll let you know when he pops up again.’

Then there’s the shy Danny Williams (Damien Hill) working alongside John as his assistant.  A gentle character who in finding his mental stability begins his search for love.  The community embraces Danny, accepting those who are really trying versus the real desperates, the junkies who are still chasing, baby bottle in hand.

Damien Hill was also the screenwriter of Pawno, and I’m not surprised he has a background in the theatre as it’s the dialogue that makes this film such a success.

The addition of the young blind girl playing the ukulele adds an emotional note, knowing she’s not quite right, but her heart is there, in her playing.

In the Q&A session, the director, Paul Ireland said it took just one take at each location for her to get it right.  And it’s beautiful, her voice and her playing.

All of the characters are flawed.  Each with their own battle of mental illness, heartbreak, addiction; loneliness.

It would have been easy to get bogged down in the melancholy, but there’s humour here, the focus is on the good: the poem written to the beautiful girl in the bookshop, the drummers tapping out a heartbeat and the dance of a local in appreciation, the expression of graffiti and the love of a dog.  Pawno shows life in all its complications with the simplicity of a leaky kettle or a favourite mug.

I was surprised there wasn’t a greater focus on the Vietnamese culture.  Walking the main street, you will see nothing but Vietnamese restaurants with aquariums full of what’s to eat.  And this could have been better represented in the film by showing more of the signage, hearing the language.

Scratching the surface of the Vietnamese culture would have added a greater weight to the film but I appreciated the thought put into each character who was shown.

You don’t need to throw a lot of money at a film when you’ve got characters with depth.

 

Eye in the Sky

GoMovieReviews Rating: ★★★☆ (3.9/5)

Director: Gavin HoodEye In The Sky

Screenplay: Guy Hibbert

Starring: Helen Mirren, Alan Rickman, Aaron Paul, Barkhad Abdi, Lain Glen, Phoebe Fox, Jeremy Northam.

I was completely absorbed by this film, from beginning to end.

I’m not a fan of war movies.  I find the violence a little too real and disturbing because it is all too true.  But Eye in the Sky isn’t one of those blood and guts type of films, it analyses the hierarchy, the politics of war.  It makes murderers of all involved.

What a fascinating take on such a complicated issue.  We are at war, but from the comforts of our homes.

Directions are made behind closed doors and bombs dropped from drones.  War, in these days, is an ethical conundrum.

There was no loss of momentum in this film, even though the focus was a quiet examination made through dialogue between the characters; the suspense in waiting for difficult decisions that must be made. Not an easy task and very well handled by director, Gavin Hood (Tsotsi (2005), X-Men Origins: Wolverine (2009), Ender’s Game (2013)).  He lets the characters tell the story in the simplicity of one day, one long moment shown in all its depth and complexity.  And using this linear time-line and keeping it simple, the film felt authentic.

Helen Mirren was perfectly cast as Colonel Katherine Powell.  A tough as nails, uncompromising military soldier who never waivers from her duty.  And mixed emotions seeing Alan Rickman in his final performance as Lieutenant General Frank Benson: a sympathetic character showing his humanity under the cast iron soul of a soldier.  Hard to believe this brilliant actor will no longer grace our screens.

It was interesting to have the curtains drawn back to show what happens behind the closed doors of war.  I can only sympathise with the people who have to make decisions to try and save as many lives as possible.  Deciding what are the legal, ethical and moral ramifications behind the killing of people in a different country – and whose life is worth more.

Eye in the Sky was thought-provoking, suspenseful and moving without theatrics.  A film to get people talking about issues that need to be spoken about.

 

The Daughter

GoMovieReviews Rating: ★★★☆ (3.2/5)

Directed by: Simon StoneThe Daughter

Produced by: Jan Chapman, Nicole O’Donohue

Screenplay by: Simon Stone

Starring: Geoffrey Rush, Ewen Leslie, Paul Schneider, Mirada Otto, Anna Torv, Odessa Young, Sam Neill.

An Australian film based on a play by Henrik Ibsen, ‘The Wild Duck’.

After Henry (Jeoffrey Rush) closes down the timber mill, the town starts dying – boarded-up shop fronts reflect the people left: hidden secrets kept behind the surface of happy families.  But slowly, the surface is scratched away as Chris (Paul Schneider), Henry’s son, reunites with his family and old uni mate, Oliver (Ewen Leslie), to attend his father’s wedding to his second wife, Anna (Anna Torv).

I love films based on plays – you always know the characters are well-developed and the dialogue a highlight and authentic.  But I hadn’t prepared myself for the emotional kick in the stomach this film became.

This is a story about being lucky in life even if it’s not perfect.  A roof over the head of a loving family, that’s being lucky.  Yet, the others who don’t have it, want to destroy it.  Even if they think it’s the right thing to do.  And there’s many a sad story behind every seemingly happy family.  And this is a very sad story.  Yes, a few deep breaths are required.

I was particularly affected by the stand-out performances of Miranda Otto playing Hedvig and Ewen Leslie as Oliver, playing father and daughter and the beautiful relationship between them.  Sam Neill as the grandfather is also worth mentioning – ‘Stories like these are as old as the hills,’ he says.

The setting of the film is chosen carefully: country scenery of fog drifting through the trees of a pine forest and sunlight reflected off the water running through grassy banked rivers.  Yes, there’s some real beauty here.

And Hedvig is such a lovely, smart girl, her love of the people in her life a fragile treasure that all who know her try to protect.  But mostly there’s a sadness, like a duck shot out of the sky and left with a broken wing.  You can only hope she’ll fly again.  Lucky duck if she’s saved.  But is she lucky if she can’t fly?

 

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