PRESENCE

GoMovieReview Rating: ★★★Presence

Rated: MA15+

Directed by: Steven Soderbergh

Written by: David Koepp

Produced by: Julie M. Anderson, Ken Meyer

Starring: Lucy Liu, Chris Sullivan, Callina Liang, Julia Fox, Eddy Maday, West Mulholland.

‘What was it like, do you think?’

Filmed from the point of view of the presence, there’s a perspective of looking out a window to then turn inside a house, to wander the empty rooms.

A family of husband and wife, and two teenaged children arrive.

The mother, Rebekah (Lucy Liu) is the decision maker of the family.  She makes an offer on the house.

The daughter, Chloe (Callina Liang) asks, ‘Does anyone else get a vote?’

Chloe looks towards the screen, the camera, towards the presence, knowing something is in the house.

She calls out, ‘Nadia?’ Wondering if her recently deceased best friend has returned.

The family don’t believe Chloe, her brother Tyler (Eddy Maday) angry, not wanting Chloe to ruin his cool at school with Ryan (West Mulholland) now his friend.

And then Chloe’s boyfriend.

Talking about her best friend dying, Eddy asks, ‘What was it like, do you think?’

‘I have no idea.’

The beginning of the film is silent.

The dialogue the soundtrack so it feels like a stage production.

The presence attached to the house means the film is entirely filmed in the house so the storyline is the interactions between the family, that’s slowly falling apart.

‘It’s OK to go too far for the people you love,’ says Rebekah to her favourite, her son Tyler.

The father, Chris (Chris Sullivan), tries to keep an eye on Chloe as she grieves.

But it’s the presence who sees everything.

This is a stark film that took a while to become something creepy, not because of the ghost aspect, but the quiet build of something not right.

It’s a unique device, using a subjective camera as point of view for the presence, director Steven Soderbergh states: ‘We want to see the reaction of the character that we’re supposed to invest in. And I’ve been convinced you don’t have a movie if you don’t have that — if you can’t see what the character’s feeling emotionally, you don’t have a movie. But here I am literally tearing down the structure that I’ve built. And my only justification is: Here, if you did a reverse, there wouldn’t be anything to see.’

There’s success with this unusual perspective because the strong performance from each character makes the presence believable.

Using the subjective camera within one location is the foundation of the film.  Writer Koepp states,’ I love a restriction. “It’s 24 hours.” Or “it’s one long road trip.” Or, in this case, “It’s all in the same house,” It’s a sort of creative Hays Code that restricts your thinking and therefore opens up your thinking.’

It’s just not a vastly entertaining film.  I’d even go as far as saying the first half of the film was boring.  But then it becomes something else like an underlying need for control.  It creeps up.

Worth a watch.

Star Wars: The Force Awakens

Star_Wars_Episode_VII_The_Force_Awakens[1]GoMovieReviews Rating:★★★★

Directed by: J. J. Abrams

Written by:  Lawrence Kasdan, J. J. Abrams, Michael Arndt.

Based on:   Characters by George Lucas

John Williams returns as composer of the score.

Starring: Harrison Ford, Mark Hamill, Carrie Fisher.

The 7th installment with George Lucas as the creative consultant.

A classic using the same formula as the original series but with a different story – genius in its simplicity.

I can’t imagine the pressure on the writers in getting this one right: the beginning of a sequel of a sequel.  Yes, the writing of this Star Wars episode could easily have become over complicated, but, thankfully, the reins were held tight and yet the story still felt new and exciting.

With 3D glasses on, I was immediately absorbed in this re-visit to desert landscapes, androids and light sabers – all I could think was: yeah, cool.

Rey (Daisy Ridley), scavenging for survival, becomes in possession of an android holding a secret map of the location of the last Jedi Knight, Luke Skywalker. Luke has gone missing after his favourite student, Kylo Ren (Adam Driver), goes to the dark side.

Sound familiar? But then, as a twist, we have a defector from the First Order joining forces with the Resistance and teaming up with our old favourites: Hans Solo, Chewbacca and Princess Leia.

The story was engaging with humour and action without the usual blood and guts. PG goodness at its finest.  I’m not usually one for these PG films but I have to say I didn’t miss the mature themes with this one.

Star Wars (7) brought a smile to my face even with the excited kid kicking the back of my chair.  I was excited too!

It was a pleasure to see Harrison Ford back as Han Solo, even if he was a bit stiff with age. Chewbacca will always be a favourite.  I was surprised at how good Carrie Fisher looked after the taint of sitcoms such as, Big Bang and Family Guy.  She was well cast as a military leader.  Yes, some good acting here – Adam Driver a surprising dark character.  But I think it’s the writers who deserve the congratulations.

I’ll be back to see the rest of the series.

 

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