Peppermint

Rated: MA 15+Peppermint

Directed by: Pierre Morel

Written by: Chad St. John

Produced by: Tom Rosenberg, Gary Lucchesi, Richard Wright, Eric Reid

Starring: Jennifer Garner, John Ortiz, John Gallagher, Jr., Juan Pablo Raba, Annie Ilonzeh, Jeff Hephner and Pell James.

Who is Riley North?

She’s a female vigilante who wants justice.

A classic revenge film, Riley North (Jennifer Garner) loses her husband Chris (Jeff Hephner) and her daughter Carly (Cailey Fleming) when Chris even contemplates robbing a drug cartel.

After Riley wakes in hospital from a coma, something has changed. When the guys who killed her family are let off, something breaks.

It’s a rampage of revenge with Riley North becoming an assassin; social media arguing whether she’s a criminal or a hero.

I wasn’t sure what to expect walking into Peppermint, hoping I wasn’t going to see a melodrama of family crisis.  And thankfully, the film is more action than drama with Garner holding her own in the believable character of Riley North.

I did however, get struck wondering how this wife and mother, taking her kid out to sell baked goods for the equivalent of the Brownies (for all those Aussies out there who partook in Pow Wows during their Primary School years…) suddenly becomes a killing machine.  But the story gets there, sort of.  I would have liked more backstory, making the most of filling some of the character with interesting mother-becomes-assassin interest.  But in the end, this is an action movie not a drama.

What I found difficult was the timing that felt off at moments, like tough cop talk lines delivered flat: ‘Pro tip’, states Detective Moises Beltran (John Ortiz) to fellow detective Carmichael (John Gallagher Jr.) who likes a shot of booze added to his morning coffee, ‘Wait until you’re dead before you embalm yourself.’

So there were jolts in the narrative.

And it felt like a film I’d seen before with nothing really new; techniques like flash backs as exciting as it gets.

But hey, it works!

And the story evolves with some good action.

What can I say, I like a good crime thriller.

So although not the best I’ve seen, Peppermint served with ‘a double scoop’ is worth a watch.

Kong: Skull Island

Rated: MKong: Skull Island

Director: Jordan Vogt-Roberts

Produced By: Thomas Tull, Mary Parent, Jon Jashni and Alex Garcia

Executive Producers: Eric McLeod and Edward Cheng

Screenplay: Dan Gilroy, Max Borenstein and Derek Connolly

Story By: John Gatins

Visual Effects Supervisor: Stephen Rosenbaum, Jeff White

Starring: Tom Hiddleston, Samuel L. Jackson, Brie Larson, John Goodman, John C. Reily, Tian Jing, Corey Hawkins, Jason Mitchell, John Ortiz, Thomas Mann, Shea Whigham, Tody Kebbell, Eugene Cordero, Terry Notary.

A prequel to the story of King Kong (who first appeared on film in 1933) Kong: Skull Island is about the origins of Kong; hinting at a past battle on an island hidden from the world by a never-ending storm.

Set in the ‘70s just as the Vietnam War is ending, scientist Bill Randa (John Goodman) takes a team to Skull Island to explore the possibility of MUTOs (Massive Unidentified Terrestrial Organisms).Enlisting a military escort headed by Preston Packard (Samuel L. Jackson), this group of humans have no idea about the bizarre creatures they’re about to meet… or get eaten by…

The production team who created the 2014 film Godzilla have reunited here and some of the creatures on Skull Island reminded me of the Godzilla film, particularly those scary skull lizard creatures AKA Skull Crawlers. But there’s a better story here. Skull Island is more than the creatures and special effects although it was sometimes a close thing with the dialogue falling flat at times.

There’s a touch of fun with the 70s soundtrack and humour in the script but some of the jokes didn’t quite come off. The times when the film took itself too seriously were worse. Where the sincerity was just too much to swallow, losing that suspension and ruining the fantasy. But really, this was rare in the film which is a minor miracle when dealing with a MonsterVerse.

Samuel L. Jackson with those grouchy looks plays the villain well. And Tom Hiddleston as James Conrad, the hero, was believable as the British solider turned mercenary tracker – there’s a fantastic cast here. The highlight for me was John C. Reilly as the stranded WWII solider Hank Marlow. Now this guy was funny.And a great way to get the audience on side.

The Visual Effects team have given Kong some magic that make it seem there’s thought and emotion behind those eyes. And to really give the film that authentic flavour, director Jordan Vogt-Roberts (Kong being his second feature film) and the team film those beautiful tropical landscapes at real locations around the world: Oahu, Hawaii, the Gold Coast in Australia and Ha Long Bay (amongst others) in Vietnam.

There was some good action here and some tense moments with a conflict set up between those for Kong and those against. The script gives a bit of meat (ha, ha) to the story and there’s some good blood and guts with a setting that lives and breathes as an undiscovered world to frame Kong’s origins.

Great film to see on the big screen.

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