Jasper Jones

Rated: MJasper Jones

Director: Rachel Perkins

Producers: Craig Deeker, David Jowsey, Anita Sheehan

Written By: Shaun Grant, Craig Silvey (story)

Based on: the novel ‘Jasper Jones’ by Craig Silvey (2009)

Starring: Angourie Rice, Hugo Weaving, Toni Collette, Dan Wyllie, Levi Miller, Aaron L. McGrath

The purpose of a good film is to resonate with its audience and to change our perspective: Jasper Jones did just that for me and stuck around long after I left the theatre behind.

The story of Charlie’s coming of age is about the choices we make based on what we think we know and how sometimes misinformation gets confused with facts.

We tell ourselves our life story everyday, shaping our sense of identity, our purpose. To the point that only a catalyst event can set things straight.

The night Jasper Jones finds Laura’s body, he knows that would be the end of him. As a mixed race outcast, the town he calls home would find him guilty in the blink of an eye.

And so he reaches out to young Charlie, asking for help in the middle of the night. It is a move made out of desperation, as he fears for his life.

As the plot advances, we submerge into a time and place where gossip is the common currency and nothing is what it seems behind closed doors. Where Jasper, Charlie and Eliza embark on a courageous adventure to solve a mystery, while most of their community chooses to look away.

As director Rachel Perkins stated: ‘Stories, in the words of our writer Craig Silvey, exist to promote empathy, to test preconceptions and to transform opinions. The audience will ultimately be the judge if we have succeeded in that quest.’

Jasper Jones is a best-selling Australian novel by Craig Silvey. 
The novel has received broad critical acclaim and commercial success including being shortlisted for the prestigious IMPAC Dublin Literary Award 2011 and shortlisted for the Australian Miles Franklin Literary Award in 2010.

Red Dog: True Blue

 

Director: Kriv Stenders

Producer: Nelson Woss

Starring: Levi Miller, Bryan Brown, Jason Isaacs, Hanna Manga Lawrence, Calen Tassone, Thomas Cocquerel, Kelton Pell and John Jarratt.

Sweet and funny, set on the backdrop of red desert, burnt skies and a story about a red dog named Blue.

Red Dog: True Blue is the prequel to the well-know Red Dog, that received world wide acclaim back in 2011.  A neat compliment that made me want to watch the original again.

Shown as a flash-back to the 1960s, True Blue is about young Mick (Levi Miller) who finds himself at a cattle station out in the middle of no where living with his grandpa (Bryan Brown).

Mick is surrounded by all sorts of characters from Jimmy Umbrella (Kee Chan), the Chinese-Australian cook who hates the sun, Bill (Thomas Cocquerel) the larrikin helicopter pilot, Big John and Little John (Syd Brisdane and Steve Le Marquand) who are always fighting, Taylor Pete (Calen Tassone) the budding activist and Durack (Kelton Pell) the Aboriginal stockman who just knows Blue (Phoenix, the dog) is a tricksta spirit.

Blue wasn’t the feature in this film, but he was certainly the main source of humour.  Very clever of director Kriv Stenders (also director of the original Red Dog), as Blue always remained blameless.  And the addition of Willy, the crazy, blind-in-one-eye horse who thinks he’s a bull, made the film even funnier.

Aside from the humour, there are themes here to give the story more depth, such as the politics of equal pay for Aboriginal workers, of free love, landrights, punishment of boys who’ve been bad…  But what really stood out was the beauty of the landscape and those never ending skies.

Geoffrey Hall has returned as Director of Photography, this time making a conscious effort to keep the colour palette of the landscape authentic.  And an anamorphic approach was used for filming giving a narrow depth of field.  The result being beautiful, picture card moments with the weather and landscape becoming another character of the story.

At the end of the year when you drag your feet and wonder when summer is actually ever going to begin, it’s great to see a film that has it’s own brand of humour; that evokes laughter bubbling up from the belly; where the story is sweet (without being too sweet) and uplifting.

Yeah, the kid Mick, annoyed me a bit at the start – all private school and precious.  But I think that was the point.  And the character grew on me through-out the film which may have something to do with the mateship that develops between a lost kid and a cheeky dog named Blue (AKA Marlunghu the tricksta spirit).

And I’m thankful the film didn’t tear my heart out as some of these animal films tend to do.  I was left smiling about a story that relates to life while also giving a positive twist making me really, really want to get a pet dog!

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