Fantastic Beasts: The Crimes of Grindelwald

Rated: MFantastic Beasts: The Crimes of Grindelwald

Directed by: David Yates

Screenplay by: J. K. Rowling

Produced by: David Heyman, J. K. Rowling, Steve Kloves and Lionel Wigram

Starring: Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Carmen Ejogo, Poppy Corby-Tuech, with Jude Law and Johnny Depp.

The second of five in the Fantastic Beasts series, The Crimes of Grindelwald continues in the days before Harry Potter, back to the 1920s following Magizoologist Newt (Eddie Redmayne) and his beasts (his book now published) and the powerful dark wizard Gellert Grindelwald (Johnny Depp), who was captured in the previous instalment (Fantastic Beasts and Where to Find Them) and is now held by the MACUSA (Magical Congress of the United States of America).

After six months it’s time to bring the dark wizard to court to face his crimes but during the transfer, Grindelwald explodes onto the screen, making his escape.  His mission to gather the pure bloods, to take back their freedom, for wizards to be who they really are, to rule the world and dominate the remaining No-Maj.

Grindelwald explains he doesn’t plan to kill all the No-Maj, ‘The beasts of burden will always be necessary’.

He’s mean but he makes an argument that some wizards find hard to resist.  They don’t want to hide in the shadows any longer.  They want to rule the world.

The running theme through-out the film is, It’s time to pick a side.

Which is difficult for Newt as he states, ‘I don’t pick sides.’

Professor Albus Dumbledore (Jude Law), unable to fight Grindelwald for mysterious reasons revealed in the film, calls upon Newt to find Credence Barebone (Ezra Miller), the Obscurial (a born wizard whose powers were suppressed to the point of becoming an Obscurus, a parasitical force deadly to its host, usually at a very young age) introduced in the first film.

Dumbledore knows Credence is in Paris looking for his birth mother, to find the love he desperately needs and to find his place in the world.  He needs to be found before the silver-tongued charm of Grindelwald captures his power to wield against humanity.

We see the return of Queenie (Alison Sudol) who just wants to love the No-Maj Jacob (Dan Fogler).  Tina (Katherine Waterston) returns to the MACUSA as an Auror after reading the news Newt is engaged to his old flame Leta Lestrange (Zoë Kravitz), a misprint in the gossip pages when she’s in fact engaged to his older brother Theseus (Callum Turner) – awkward!

There’s more development of characters in this instalment with some complicated entanglements as each fight for the cause, or not.

But Dumbledore knows no matter what, Newt will do what is right.

We travel from America to London to Paris, back to Hogwarts, where we see echoes of familiar characters in their younger years.

And now, in this second instalment, we start to solve some mysteries like how the Maledictus named Nagini (Claudia Kim) (now Credence’s companion) becomes the giant snake.

Rowling clarifies, “A Maledictus is someone who carries a blood curse that, over time, turns them into a beast.  They can’t stop it, they can’t turn back.  They will lose themselves…they will become the beast with everything that implies.”

And there are other, ‘Aha’ moments that I admit are starting to draw me in.

Director David Yates and screenplay writer J. K. Rowling have reunited along with the creative team so the tone and look of the film is the same with explosive moments and the amazing effects of cavernous spaces and intricate pieces falling into place and locks turning and statues moving, the bright colours of circus and blue fire to the wonderful beasts including the mischievous Niffler who now has a litter of babies.

Although I adored the critters in the first instalment, I wasn’t as drawn into the story of the film as it was more setting the foundation for the series.

Here, we see more of the mystery revealed.

I’m finding the Fantastic Beasts series more about what comes next, what piece of the puzzle is going to make that character into who they eventually become.  And slowly, I can see the story coming together.

Fantastic Beasts and Where to Find Them

Rated: MFantastic Beasts and Where to Find Them

Director: David Yates

Script Written By: J. K. Rowling

Starring: Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan, Fogler, Colin Farrell, Samantha Morton, Ezra Miller, Jenn Murray, Faith Wood-Blagrove, Jon Voight, Ronan Raftery; Josh Cowdery.

‘Worrying means you suffer twice,’ says Magizoologist Newt Scamander (Eddie Redmayne).  Which is another way of saying, Why worry, when there’s no point.  If something bad is going to happen, suffer through it once, not twice!  What a gorgeous way of treating life, the sentiment setting the tone of the film.

Fantastic Beasts and Where to Find Them is J. K. Rowling’s debut as a screenwriter.  The inspiration from the Hogwarts textbook of the same name, written by her character, Newt Scamander.

It’s difficult not to compare Fantastic Beasts and the previous Harry Potter films as there’s a similarity in vision; not only writer, Rowling, being the creator of both worlds but David Yates returning after directing the previous 4 ‘Harry Potter’ films.

But this is America, not England.  There’s a new language where Muggles are now called No-Maj (humans without magic).   Where the American’s have the Second Salemers – fanatical No-Maj’s who want to get rid of wizardry for good.

Terrified of exposure, Director of Magical Security at MACUSA (Magical Congress of the USA), Percival Graves (Colin Farrell) makes short work of anyone who threatens the fragile hidden world of magic.  Until Newt arrives with his suitcase full of fantastic beasts.

Instead of Harry Potter and his young friends battling their way into adulthood, with an exploration into all the dark corners of life in magic and life as neglected children, we have adults running through 1920s New York trying to re-capture cute magical creatures.  Instead of a darker adult outlook, I found Fantastic Beasts to be more childish in its tone.

There was a lack of depth, the feeling of a beginning, a building of a story rather than a whole which was disappointing after the Harry Potter introduction of J. K. Rowling’s magical world.

But what lacked in story was somewhat off-set by the magical creatures, the Niffler, reminding me of a platypus with a keen eye for all that glitters and all that’s gold.

I couldn’t help but grin and giggle at the behaviour of these creatures, and that brings me back to the childish tone of the film.

Eddie Redmayne as the protagonist, Newt, was likeable and I could relate to his awkwardness, which was essential as I felt if you liked Newt, you liked the film.

But I admit I wanted more from this film, from this story.

The characters were likeable, the creatures adorable, but the story didn’t have that darkness that make the Harry Potter films such a surprise.

Fantastic Beasts is a M-rated film that I’d take my nephews to watch for some fun entertainment.  Which doesn’t make it a bad film just not thought-provoking.  The Harry Potter films were an adaptation with more thought to the themes like good versus evil and all the inbetween.  Whereas Fantastic Beasts felt more like a glossing over of the story.

I’m expecting a series here.  A series that will get deeper and darker as the story progresses.

 

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